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Current & Forthcoming Exhibition Catalogues: Found 134 titles
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Item Number: 148300
Title: ANNI ALBERS
Author: Coxon, Ann (et al)
Price: $50.00
ISBN: 9780300237252
Record created on 03/13/18
Available August 2018
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Description: New Haven: Yale University Press, in association with Tate Modern, 2018. 27cm., hardcover, 192pp., 190 illus. Exhibition held at Kunstsammlung Nordrhein-Westfalen, Düsseldorf, then to Tate Modern, London.

Summary: Anni Albers (1899–1994) was a German textile designer, weaver, and printmaker, and among the leading pioneers of 20th-century modernism. Although she has heavily influenced generations of artists and designers, her contribution to modernist art history has been comparatively overlooked, especially in relation to that of her husband, Josef. In this groundbreaking and beautifully illustrated volume, Albers’s most important works are examined to fully explore and redefine her contribution to 20th-century art and design and highlight her significance as an artist in her own right. Featured works—from her early activity at the Bauhaus as well as from her time at Black Mountain College, and spanning her entire fruitful career—include wall hangings, designs for commercial use, drawings and studies, jewelry, and prints. Essays by international experts focus on key works and themes, relate aspects of Albers’s practice to her seminal texts On Designing and On Weaving, and identify broader contextual material, including examples of the Andean textiles that Albers collected and in which she found inspiration for her understanding of woven thread as a form of language. Illuminating Albers’s skill as a weaver, her material awareness, and her deep understanding of art and design, this publication celebrates an artist of enormous importance and showcases the timeless nature of her creativity.

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Item Number: 148433
Title: JOSEF ALBERS : Interaction
Author: Liesbrock, Heinz (ed)
Price: $40.00
ISBN: 9780300240832
Record created on 03/20/18
Available August 2018
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Description: New Haven: Yale University Press, 2018. 29cm., hardcover, 304pp., 140 color illus. Exhibition held at Villa Hügel, Essen. English text.

Summary: Josef Albers (1888–1976) was one of the leading pioneers of 20th-century modernism: he was an extraordinary teacher, writer, painter, and color theorist, who is best known for the Homages to the Square (painted between 1950–76) and The Interaction of Color, published by Yale University Press in 1963. This generously illustrated overview of Albers’s work, accompanying the first major exhibition on the artist in more than thirty years, features all aspects of his long, creative career. Beginning with Albers's time at the Bauhaus in Weimar and Dessau, the publication follows the artist to America and describes major themes of his work there as well as the importance of his frequent travels to Mexico. Paintings, prints, furniture, household objects, works in glass, photographs, and pre-Columbian sculptures are beautifully reproduced and discussed by a team of experts. The juxtaposition of Renaissance sculptures and icons with paintings by Albers underlines the intellectual and spiritual dimensions of his art, and Albers’s influence on 1960s Minimalist art is also explored. Including a comprehensive biography, the book convincingly demonstrates how this great artist transformed modern design by using line, color, surface, and space to challenge the perception of the viewer.

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Available August 2018

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Item Number: 148538
Title: LOLA ALVAREZ BRAVO : Picturing Mexico
Author: Weissberg, Stephanie ; Karen Cordero Reiman
Price: $30.00
ISBN: 9780300238709
Record created on 03/29/18
Available November 2018
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Description: New Haven: Yale University Press, in association with the Pulitzer Arts Foundation, 2018. 27cm., hardcover, 96pp., 70 illus. Exhibition catalogue.

Summary: This stunning and lyrical volume highlights the personal work of Lola Álvarez Bravo (1903–1993), one of Mexico’s foremost photographers. Álvarez Bravo worked as a photojournalist, commercial photographer, portraitist, and educator and played a critical role in her country’s cultural renaissance. In the years following the Mexican Revolution, she captured a profoundly transformative moment for the country’s land, architecture, and people. She remains best known for these works and for her portraits of prominent modernists working in Mexico, including Frida Kahlo, Diego Rivera, and David Alfaro Siqueiros. Lola Álvarez Bravo delves into a lesser-known body of work, in which attention to pattern, light, and abstraction guides the artist’s depictions of urban and rural landscapes and their inhabitants. It also addresses her role in building and securing the legacy of the post-Revolutionary period, her dialogue with modernist photographers, and her place within the broader cultural sphere, offering new insight into the mutual influence she shared with prominent painters, filmmakers, and literary figures of her time.

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Available November 2018

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Item Number: 148717
Title: Genio e Maestria. Mobili ed Ebanisti alla Corte Sabauda tra Settecento ed Ottocento
Author: Annibaldi, Cesare ; Roberto Antonetto (et al)
Price: $72.50
ISBN: 9788842224594
Record created on 04/18/18
Available May 2018
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Description: Torino: Allemandi, 2018. 24cm., pbk., 304pp., 162 color illus. Exhibition held at Venaria Reale, Torino.

Summary: Il catalogo della grande mostra alla Venaria Reale. Il volume, come l'evento espositivo, espone i capolavori dell'ebanisteria piemontese, oltre 130 opere provenienti da importanti collezioni museali e collezionisti piemonesi a internazionali, dei grandi ebanisti e scultori della corte sabauda - Luigi Prinotto, Pietro Piffetti, Giuseppe Maria Bonzanigo e Gabriele Capello, detto il "Moncalvo." La visione e la storia di un raffinato, colto e complesso mestiere dell'arte al servizio delle piu importanti committenze reali e nobiliari, che raggiunse a Torino il vertice dell'apprezzamento mondiale alla stregua dei massimo e piu noti grandi maestri della pittura.

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Available May 2018

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Item Number: 147832
Title: Splendour of the Burgundian Netherlands – Southern Netherlandish illuminated manuscripts in Dutch collections
Author: As-Vijvers, Anne Margreet W. ; Anne S. Korteweg
Price: $59.95
ISBN: 9789462582637
Record created on 01/09/18
Description: Zwolle: W Books, 2018. 29cm., pbk., 384pp., ca. 240 color illus. Exhibition held at Museum Catharijneconvent, Utrecht. English edition.

Summary: This book presents a survey of ninety of the finest and most interesting medieval manuscripts produced in the southern Netherlands - present-day Belgium - which ended up in Dutch public collections at various points in time. This largely unknown cultural heritage is displayed here in a vast panoramic context ranging from the tenth to the mid-sixteenth century. The painted scenes in these handwritten books are not only of a high artistic quality, but also present a richly-textured picture of medieval life. The emphasis is on the role of books in the society of the Middle Ages: they served as expressions of sumptuousness on the part of the aristocracy, as richly-decorated books for church services, and as cherished objects used by affluent burghers for their private devotion. The authors also devote attention to the large-size, superbly-illustrated works of history and literature that were produced under the patronage of the dukes of Burgundy. Other subjects include the Order of the Golden Fleece, the artistic ties between the northern and southern Netherlands, pilgrim badges, and the transition from manuscripts to printed books. The book contains twenty-four chapters, each one consisting of an introduction to the art-historical and cultural-historical context, followed by discussions of individual manuscripts. These chapters were written by fifteen international specialists in the field of medieval manuscripts and book illumination of the southern Netherlands. In addition, the book contains an introduction on the ways in which these manuscripts ended up in the Netherlands, a technical analysis of a number of manuscripts, and a map accompanied by an account of the rise and unification of the southern Netherlands. At the back of the book, readers will find detailed descriptions of the manuscripts. The entire publication is lavishly illustrated, with some 250 magnificent colour reproductions.

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Item Number: 148174
Title: Da Ribera a Luca Giordano. Caravaggeschi e altri pittori della Fondazione Roberto Longhi e della Fondazione Sicilia
Author: Bandera, Maria Cristina
Price: $19.50
ISBN: 9788831711401
Record created on 02/20/18
Description: Venezia: Marsilio, 2018. 28cm., pbk., 64pp., 34 color plates. Exhibition held at Villa Zito, Palermo.

Summary: L'impegno della curatrice Maria Cristina Bandera, che da anni presenta mostre con finalità rigorose e con prestiti da importanti istituzioni internazionali, si concretizza in un prodotto editoriale decisamente interessante. I due aspetti necessari per apprezzare una mostra sono finalmente racchiusi in questa piccola pubblicazione. Da una parte il rigore e la scientificità che sempre contraddistinguono le pubblicazioni seguite dalla Fondazione Longhi, dall'altra la volontà che ogni visitatore possa godere di uno strumento capace, in pochi tratti narrativi, di disegnare l'artista e la sua opera. Una sorta di catalogo-guida, con un prezzo decisamente competitivo, che con tratto leggero fa emergere informazioni e scoperte che spesso non vengono colte nelle lunghe schede. Ogni artista è presentato da una breve ma attenta biografia mentre una scheda aggiornata e precisa dà conto di tutte le informazioni importanti dell'opera. "Le opere intendono offrire efficacemente un'esemplificazione degli orientamenti e degli obiettivi promossi e stimolati dalle opere del Merisi e dal significato storico della sua pittura" (Maria Cristina Bandera), dipinti di artisti attivi nell'Italia centromeridionale - da Valentin de Boulogne a Jusepe de Ribera, da Andrea Vaccaro a Mattia Preti a una Natura morta di pesci di Giovan Battista Recco per la prima volta esposta in una mostra. "Appare in una luce nuova, per certi versi sorprendente, la collezione di dipinti caravaggeschi della Fondazione Roberto Longhi" afferma Vittorio Sgarbi nella sua presentazione, e questo strumento che accompagna la mostra è complice di questa piacevole riscoperta.

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Item Number: 148676
Title: Dawn of a Nation : From Guttuso to Fontana and Schifano
Author: Barbero, Luca Massimo
Price: $45.00
ISBN: 9788831729567
Record created on 04/15/18
Available August 2018
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Description: Venice: Marsilio, 2018. 29cm., pbk., 352pp., ca. 200 illus. Exhibition held at Palazzo Strozzi, Firenze. English text.

Summary: A truly mesmerising exploration of art, politics and society in Italy from the 1950s to the protest years in the late ’60s, with eighty works of art by such masters as Renato Guttuso, Lucio Fontana, Alberto Burri, Emilio Vedova, Piero Manzoni, Mario Schifano, Mario Merz and Michelangelo Pistoletto. The exhibition, curated by Luca Massimo Barbero, is bringing emblematic works of art together for the first time to form a display illustrating the effervescence of Italian culture after World War II, the years of the so-called “economic miracle” that marked a major transformation in Italian society, up until the fateful year of 1968. It was in this 20-year period that we see the development of a new vision of art reaching out into the contemporary world in an extraordinarily vibrant and inventive bust of creativity that spared neither style, material or form. The exhibition takes visitors on a journey setting out from the diatribe between Realism and Abstraction, continuing on to the triumph of Informal Art and leading through the images, gestures and figures of Pop Art in strident juxtaposition with the experimental vision of monochromatic painting, right up to the language of Arte Povera and of Conceptual Art.

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Item Number: 148763
Title: JEAN-MICHEL BASQUIAT
Author: Buchhart, Dieter (et al)
Price: $60.00
ISBN: 9782072801532
Record created on 04/25/18
Available October 2018
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Description: Paris: Gallimard, 2018. 31cm., hardcover, 320pp., 270 color illus. Exhibition held at Fondation Louis Vuitton, Paris. English text.

Summary: In 2018 the Fondation Louis Vuitton, Paris, will host exhibitons on two of the greatest artists of the 20th century - Egon Schiele, and Jean-Michel Basquiat. Both exhibitions will have the same curator, and will be held at the same time. The shows will illustrate exactly what it is that linked the two artists: line, and the use of expressive force. This, the catalogue of the Basquiat exhibition, labelled "the definitive exhibition" by its curator, brings together 100 of the artist's most important masterpieces, sourced from interational museums and private collections. With the astonishing radicalness of his artistic practice, Basquiat renewed the concept of art with enduring impact. This Basquiat retrospective centres on the idea of Basquiat's unique energetic line, his use of words, symbols, and how he integrates collage in his paintings, sculptures, objects, and large-scale drawings. The catalogue includes texts by great authors, including Paul Schimmel who tells of his meeting with Basquiat in California; Francesco Pellizi who knew Basquiat well and has not written about him for a long time; and Okwui Enwezor who talks about the Afro American identity.

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Available October 2018

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Item Number: 148225
Title: BELLINI | MANTEGNA : Masterpieces face-to-face : The Presentation of Jesus at the Temple
Author: Blass-Simmen, Brigit ; Neville Rowley ; Giovanni C.F. Villa
Price: $47.50
ISBN: 9788836639557
Record created on 02/28/18
Available May 2018
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Description: Milano: Silvana, 2018. 26cm., pbk., 144pp., 100 illus. Exhibition held at Fondazione Querini Stampalia, Venezia. English text

Summary: Giovanni Bellini, ‘one of the great Italian poets’ in the words of Roberto Longhi, and Andrea Mantegna, he who ‘sculpted [the image] alive and real in his painting’ in the sonnet by Ulisse degli Aleotti, were two giants in the history of Western art – extremely distant in character, certainly, yet connected by deep family ties. Nicolosia – Jacopo Bellini’s daughter and thus half-sister to Giovanni – married Mantegna in 1453. This marriage engendered one of the most fascinating pictorial dialogues of the Quattrocento, as they both developed the motif of The Presentation of Jesus at the Temple. A pair of works exhibited side-by-side for the very first time, half a millennium after they were painted. An extraordinary event narrated down to the last detail in this volume, through a riveting analysis of the paintings themselves and of the relationship between the two artists.

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Available May 2018

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Item Number: 148306
Title: The Holy Name: Art of the Gesù : BERNINI and His Age
Author: Wolk-Simon, Linda (ed) ; Christopher M.S. Johns
Price: $50.00
ISBN: 9780916101008
Record created on 03/13/18
Description: Philadelphia: Saint Joseph's University Press, 2018. 27cm., hardcover, 639pp., 246 color images. Exhibition catalogue.

Summary: The Holy Name: Art of the Gesù. Bernini and His Age is the most significant book available in any language on the Church of the Gesù in Rome-the mother church of the Society of Jesus. It is a permanent record of the landmark exhibition, mounted at the Fairfield University Art Museum (1 February - 19 May 2018), that featured artistic treasures, never before seen in the U.S., from the Gesù: Bernini's bust of St. Robert Bellarmine; Gaulli's monumental painted wood model of the apse; a gilt bronze altar sculpture by the versatile painter, draftsman and sculptor Ciro Ferri; the sumptuous jeweled cartegloria from the altar of St. Ignatius of Loyola; and the magnificent embroidered chasuble of the Gesù's great benefactor, Cardinal Alessandro Farnese. These masterpieces were joined by more than fifty paintings, sculptures, rare books, precious objects, drawings, prints, and historical documents by Bernini, Domenichino, Gaulli, Ciro Ferri, Carlo Maratta, and Andrea Pozzo, among other Italian baroque masters, on loan from U.S. museums and private collections. Richly illustrated with 246 color images, this volume tells the fascinating and intertwined stories of the Gesù's early history and splendid interior embellishment, together with the foundational chapters of the Society of Jesus. The narrative threads of these stories include the enviable patronage of the powerful Farnese family, who championed the cause of the new order and funded the building of the Gesù; the long and at times challenging campaign to suitably embellish its austere and barren interior and dedicate its principal altars; and the imperative to formulate a new imagery exalting and promoting the Order's founders, Ignatius of Loyola and Francis Xavier, following their canonization in 1622. The catalogue of the works of art included in the exhibition is preceded by fourteen essays by an international team of specialists in Italian baroque sacred art and religious culture.

Contents: Greeting, Vincenzo D'Adamo, S.J., Rector of the Church of the Gesù, Rome ; Foreword, Philippe de Montebello Honorary Chair, Exhibition Committee ; Introduction, Linda Wolk-Simon ; The Jesuits' Engagement with the Arts - How Did It Happen?, John W. O'Malley, S.J. ; The Fortunes of the Society of Jesus - Ecclesia triumphans to Dominus ac Redemptor , Christopher M. S. Johns ; "The Finger of God Is Here" - The Farnese, the Jesuits, and the Gesù, Linda Wolk-Simon ; Instrument of Persuasion - The Façade of the Gesù, John Beldon Scott ; The Church of the Gesù in Rome and the First Phase of Its Decoration, Gauvin Alexander Bailey ; The Lost Monument to Cardinal Robert Bellarmine, Xavier F. Salomon ; The Honor of the Altar, the Fate of Cults - Jesuit Saints in Roman Churches (1670-1713), Evonne Levy ; Gian Paolo Oliva - The Forgotten Celebrity of Baroque Rome, Franco Mormando ; Joshua and the Jesuits - The Battle for the Apse of the Gesù, Louise Rice ; "Upon the Roof of Heav'n" - Giovanni Battista Gaulli's Dome, Pendentive, and Vault Frescoes at the Gesù, Christopher M. S. Johns ; The Triumph of the Name of Jesus - Evidence for the Evolution of the Nave Fresco in the Gesù, Betsy Rosasco ; Teatri sacri - Andrea Pozzo and the Quarant'ore at the Gesù, Andrew Horn ; The Altar of Aloysius Gonzaga in Sant'Ignazio in Rome - A Theater to a Jesuit Saint, Andrew Horn ; Catalogue of the Exhibition. (Early Modern Catholicism and the Visual Arts, 17)

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Item Number: 148435
Title: HUMA BHABHA : We Come in Peace : The Roof Garden Commission
Author: Jhaveri, Shanay (et al)
Price: $9.98
ISBN: 9781588396464
Record created on 03/20/18
Description: New York: Metropolitan Museum of Art, 2018. 23cm., pbk., 64pp., 35 color illus. Exhibition catalogue.

Summary: Often described as “post apocalyptic,” the work of Pakistani sculptor Huma Bhabha (b. 1962) responds to the violence and turmoil in the world around her through depictions of anthropomorphic figures that often appear to be dismembered, melted, or dissected. This compact volume, accompanying a site-specific installation at the Metropolitan Museum’s Roof Garden, features an interview with the artist that provides new insight into her diverse influences. Essays discuss the impact of cinema and science fiction on Bhabha’s sculpture, explore art historical connections, and illuminate the artist’s process and oeuvre over the past 20 years. Like the installation, this book—the sixth in a series devoted to the Met’s Roof Garden Commissions—connects Bhabha’s contemporary practice to both art history and global current events.

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Item Number: 148348
Title: KARL BODMER : A Swiss Artist in America 1809–1893
Author: Bolz, Peter (et al)
Price: $55.00
ISBN: 9783858816009
Record created on 03/15/18
Available August 2018
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Description: Zurich: Scheidegger & Spiess, 2018. 25cm., hardcover, 208pp., 114 color illus. Reprint of 2009 edition.

Summary: In May of 1832, Swiss artist Karl Bodmer (1809–93) set out with Maximilian, Prince of Wied, a German aristocrat and scientist, on a twenty-eight-month journey along the Ohio and Missouri Rivers. For Bodmer, the expedition resulted in more than four hundred watercolors and sketches of Native American people, landscapes, animals, and plants. Engravings of many of the images were subsequently used to illustrate Travels in the Interiors of North America, Prince Maximilian’s well-known historical account. Karl Bodmer is a homage to the great painter who captured for the rest of the world so many important natural details of early America. Presented here are all eighty-one engravings used to illustrate Maximilian’s book, as well as the original watercolors, sketches, and photographs of artifacts collected during the legendary passage. Bodmer’s detailed work is among the most important documents of Native American culture from that region. Almost all of these images are held today in public collections in the United States, including large collections at the Newberry Library in Chicago, the Baltimore Museum of Art, and the Joslyn Art Museum in Omaha.

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Available August 2018

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Item Number: 148177
Title: BOLDINI e De Nittis : Femminilità à la mode nella Parigi impressionista
Author: Enrico, Angelo ; Elisabetta Staudacher
Price: $48.50
ISBN: 9788884350596
Record created on 02/21/18
Description: Crocetta del Montello: Antiga, 2018. 30cm., hardcover, 140pp., 118 color illus. Exhibition held at Quartiere Fieristico, Modena Fiere

Summary: Il volume mette a confronto i due più grandi peintres italiens sul tema della Femminilità, centrale nella loro opera e tra i più rappresentativi di un’epoca che leggeva nell’universo femmineo l’anima di un mutamento, il lento sfiorire di quel clima di raffinatezza, stanchezza del mondo ed esasperazione della moda di cui le donne erano protagoniste. Attraverso il corpo delle donne Boldini e De Nittis dipinsero il trapasso di un mondo reale o idealizzato, fuggente come uno sguardo sottratto al pittore. Quello che entrambi dipinsero non fu la bellezza, né la bellezza che sfiorisce; furono i sogni di un’eleganza in un mondo che stava per morire. Il catalogo intende ricostruire questo momento storico artistico e lo spirito del tempo attraverso un nucleo di opere di notevole importanza, alcune note, altre riscoperte, radunate grazie a un lungo lavoro di ricerca e di acquisizione non privo di circostanze fortuite, e raccontare la storia di uno dei capolavori di Giovanni Boldini, qui ribattezzato Pastello rosa.

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Item Number: 148424
Title: Ashurbanipal : King of the World, King of Assyria
Author: Brereton, Gareth
Price: $60.00
ISBN: 9780500480397
Record created on 03/20/18
Available November 2018
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Description: London: Thames and Hudson, 2018. 26cm., hardcover, 288pp., 200 color illus. Exhibition held at The British Museum, London.

Summary: In 668 BCE Ashurbanipal inherited the largest empire in the world, stretching from the shores of the eastern Mediterranean to the mountains of western Iran. He ruled from his massive capital at Nineveh, in present-day Iraq, where temples and palaces adorned with brilliantly carved sculptures dominated the citadel mound, and an elaborate system of canals brought water to his pleasure gardens and game parks. Ashurbanipal, proud of his scholarship, assembled the greatest library in existence during his reign. Guided by this knowledge, he defined the course of the empire and asserted his claim to be ‘King of the World’. Beautifully illustrated, this book will feature images of objects excavated from all corners of the empire and will highlight the British Museum’s unrivalled collection of Assyrian reliefs, which bring to life the tumultuous story of Ashurbanipal’s reign: his conquest of Egypt, the crushing defeat of his rebellious brother, and his ruthless campaign against the Elamite rulers of southwest Iran.

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Available November 2018

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Item Number: 148483
Title: ADRIAEN BROUWER : Master of Emotions: Between Rembrandt and Rubens
Author: Lichtert, Katrien (ed)
Price: $35.00
ISBN: 9789463726207
Record created on 03/22/18
Available Autumn 2018
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Description: Amsterdam: Amsterdam University Press, 2018. 24cm., hardcover, ca. 224pp. illus. Exhibition to be held at MOU Museum, Oudenaarde. English text

Summary: Adriaen Brouwer was born in Oudenaarde c. 1606, probably as the son of a tapestry cartoon designer. At a fairly young age, Brouwer travelled to the Netherlands staying, among other places, in Amsterdam and Haarlem. Afterwards he settled in Antwerp where he already died in 1638. In spite of his short and turbulent life, Brouwer left an impressive oeuvre: relatively small in scale but of the highest artistic quality. From an art-historical point of view, Adriaen Brouwer's oeuvre is of the utmost importance: as a key figure he bridges the sixteenth-century Bruegel tradition and the genre and landscape scenes of the seventeenth century. Brouwer’s renown in his own time and the appreciation by masters such as Rubens, Rembrandt and Van Dyck sharply contrasts with the perception of the painter today; to the large public Adriaen Brouwer is relatively unknown. The last exhibition devoted to Brouwer took place in the Alte Pinakothek in Munich in 1986 and the most ‘recent’ art-historical survey dates from the same year. Moreover, this exhibition was solely devoted to Brouwer’s peasant scenes, a characteristic but also clichéd aspect of his art. Adriaen Brouwer: Master of Emotions is the first monographic show devoted to this exceptional artist. For the first time in history a substantial part of Brouwer’s known oeuvre will be assembled (thirty out of c. seventy paintings), moreover in the artist’s native city. The fact that these works from various private and public collections from all over Europe, Great Britain and the United States will be shown together for the very first time in Oudenaarde makes this exhibition unique and a once in a lifetime opportunity.

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Available Autumn 2018

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Item Number: 148144
Title: Dessiner d'apres les maitres : Poussin, Fragonard, Géricault…
Author: Brugerolles, Emmanuelle (ed) ; Olivier Bonfait
Price: $42.50
ISBN: 9782840565451
Record created on 02/18/18
Description: Paris: Ecole Nationale Superieure des Beaux-Arts, 2018. 23cm., pbk., 112pp. illus. Exhibition held at cabinet des dessins Jean Bonna, ENSBA, Paris.

Summary: 33 dessins aux approches et aux techniques variées (sanguine, pierre noire, lavis...), rendent compte de la force de ce rapport d’admiration et d’inspiration entretenu entre les grands artistes de divers générations, qu’il s’agisse d’études et de copies d’après d’illustres modèles ou d’emprunts mutuels. Ce propos ambitieux est abordé à travers le prisme des artistes de l’école française qui ont reçu, pour la plupart, leur formation au sein de cette institution. Dès la création de l’Académie royale de peinture et de sculpture, l’étude des grands maîtres fait partie intégrante de l’enseignement, par le biais des conférences prononcées par les académiciens qui prônent les exemples de Raphaël, Nicolas Poussin et de l’école bolonaise, et notamment les frères Carrache. Les dessins exécutés par Eustache Le Sueur, Sébastien Bourdon ou Paul Baudry illustrent leur attachement à ces maîtres qui deviendront des références bien ancrées dans la tradition française. Ainsi, l’École d’Athènes et les Stanze de Raphaël ou les Sacrements de Poussin servirent abondamment de sources d’inspiration aux artistes de toutes générations, peintres ou sculpteurs. Il faut attendre le XIXe siècle pour que la terribilità du Jugement Dernier et la majesté des tombeaux des Médicis de Michel-Ange, séduisent les artistes français, qui en donneront des interprétations d’une puissance étonnante, à l’image des études de Théodore Géricault ou de celles de Jean-Baptiste Carpeaux. L’école hollandaise n’est cependant pas oubliée, comme le montrent les interprétations d’après Rembrandt van Rijn, faites à l’occasion de la découverte de ses dessins ou de ses tableaux dans des collections particulières : l’étude d’homme nu de Charles-Nicolas Coypel ou L’enlèvement de Ganymède de Jean-Honoré Fragonard, d’une intensité graphique remarquable, en offrent des exemples saisissants. (Carnet d'études, 42)

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Item Number: 148244
Title: Radical Inventor: A Retrospective of ALEXANDER CALDER
Author: Grace, Anne ; Elizabeth Turner (eds)
Price: $50.00
ISBN: 9788874398287
Record created on 03/02/18
Available November 2018
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Description: Milan: 5 Continents, 2018. 28cm., pbk., 256pp., 250 color illus. Exhibition held at Montreal Museum of Fine Arts.

Summary: American artist Alexander Calder (1898–1976) created a “new line” that was not simply an evolution of forms and styles. From the start, it was clear to all who witnessed him at work that he was doing something radically new. This book, published to accompany a major exhibition, shows how Calder’s work emerged from expectations of change in American popular culture. Twelve essays from major contributors explore how Calder, among the first college-trained artists, found techniques and inspiration in many disciplines and their development, including technology, engineering, architecture, physics, and astronomy. All these contributed to the development of his wire sculptures, mobiles, and stabiles, including his famous Circus. Superb photographs of more than 100 works and comparative illustrations guide readers through this innovative and unique path.

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Item Number: 148303
Title: William Hunter and the Anatomy of the Modern Museum
Author: Campbell, Mungo
Price: $65.00
ISBN: 9780300236651
Record created on 03/13/18
Available October 2018
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Description: New Haven: Yale University Press, in association with Yale Centre for British Art, 2018. 24cm., hardcover, 400pp., 275 illus. Exhibition to be held at The Hunterian, Glasgow.

Summary: William Hunter and the Anatomy of the Modern Museum accompanies a groundbreaking exhibition organised by the Hunterian at the University of Glasgow, in collaboration with the Yale Center for British Art, to celebrate the 2018 tercentenary of the Hunterian’s founder, Dr. William Hunter (1718–1783). This publication is the first in 150 years to assess the contribution made by Hunter, the Scottish-born obstetrician, anatomist, and collector, to the development of the modern museum as a public institution. Essays examine how Hunter gathered his collection to be used as a source of knowledge and instruction, encompassing outstanding paintings and works on paper, coins and medals, and anatomical and zoological specimens. Hunter also possessed ethnographic artifacts from Spain, the Middle East, China, and the South Pacific, and was an avid collector of medieval manuscripts and incunabula; these were all located within one of the most important “working” libraries of eighteenth-century London.

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Item Number: 148409
Title: CANALETTO 1697-1768
Author: Bozena, Anna Kowalczyk
Price: $59.95
ISBN: 9788836639311
Record created on 03/19/18
Available mid-May
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Description: Milano: Silvana, 2018. 25cm., hardcover, 256pp., 110 color illus. Exhibition held at Palazzo Braschi, Roma. Italian text.

Summary: Il nome di Canaletto si associa alle vedute di Venezia, parte fondamentale del Mito della Serenissima, immagini che hanno riscosso fin da subito un successo straordinario e fatto sognare i turisti britannici del Grand Tour. Ma Canaletto non è solo questo. Emerge come pittore contemporaneamente al giovane Giovanni Battista Tiepolo, affrontando da scenografo teatrale, quale era in giovinezza, con pennellate impetuose e luce drammatica, le prime vedute di Venezia e i capricci; si rivela fin da subito instancabile sperimentatore, alla ricerca di sempre nuovi soggetti, composizioni, tecniche, effetti; è artigiano umile, continuamente al lavoro, supremo disegnatore, cronista splendido delle feste, inventore dei capricci più sorprendenti e squisiti, impetuoso pittore di rovine romane, capace di infondere lampi di genialità al genere esercitato a Roma da Giovanni Paolo Pannini; e, ancora, testimone della civiltà inglese del Settecento. A 250 anni dalla morte di Canaletto, il volume esamina circa settanta opere tra dipinti e disegni appartenenti a collezioni pubbliche e private di tutto il mondo, selezionati per la loro bellezza e per la loro importanza nel percorso dell'artista, indagandone, in modo approfondito e aggiornato, il pensiero e il metodo, la tecnica e il rapporto con la realtà rappresentata. Le opere qui raccolte raccontano la vita e la capacità creativa di uno dei più grandi artisti del Settecento europeo che rivoluziona con il suo genio pittorico il genere della veduta, portandolo alla pari della pittura di storia e di figura, anzi, innalzandolo a emblema degli ideali scientifici e artistici dell'Illuminismo.

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Item Number: 147315
Title: Dentro CARAVAGGIO
Author: Vodret, Rossella
Price: $65.00
ISBN: 9788857236070
Record created on 11/15/17
Description: Milano: Skira, 2017. 28cm., pbk., 320pp., 400 color illus., plus CD. Exhibition held at Palazzo Reale, Milano. Italian text - an English version (possibly abridged) is in preparation for Spring 2018.
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Item Number: 148291
Title: MARY CASSATT : An American Impressionist in Paris
Author: Mathews, Nancy Mowll ; Pierre Curie (eds)
Price: $45.00
ISBN: 9780300236521
Record created on 03/12/18
Available Summer 2018
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Description: New Haven: Yale University Press, for Mercatorfonds, 2018. 28cm., hardcover, 176pp., 170 illus. Exhibition held at Musée Jacquemart-André, Paris. English text.

Summary: Acclaimed and beloved for her paintings of women and children in intimate, informal settings, Mary Cassatt (1844–1926) was the only American artist to exhibit with the French Impressionists in Paris. Cassatt celebrated women in an age of rapid female advancement, and she explained her affinity for depicting children, saying they are “natural and truthful,” two of the qualities that her generation of artists was energetically pursuing. This beautiful book, edited by a preeminent Cassatt scholar, brings together more than sixty important works that span the entirety of Cassatt’s career. Included here are works across all media in which Cassatt worked—oils, pastels, drawings, and prints—as well as numerous documentary sources that combine to convey a full and nuanced account of Cassatt as an American artist in Paris. Some of these works, such as Little Girl in a Blue Armchair (1878) and Woman Bathing (1890–91) are familiar; others are from private collections and have been reproduced rarely, if ever. The result is a fresh look at Cassatt that reaffirms her importance to French Impressionism and Post-Impressionism, celebrates her resilience in the male-dominated worlds of French and American art, and demonstrates her ability to reconcile the different realms in which she lived and worked.

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Item Number: 148212
Title: CECCO DEL CARAVAGGIO : The Penitent Magdalene, A Rediscovered Masterpiece
Author: Papi, Gianni ; Ferdinando Corberi (ed)
Price: $49.95
ISBN: 978199988906
Record created on 02/27/18
Description: London: Trinity Fine Art, 2018. 28cm., pbk., ca. 48pp. illus. English-Italian text. (Trinity Fine Art, Catalogue n., 40)
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Item Number: 148532
Title: VIJA CELMINS : To Fix the Image in Memory
Author: Garrels, Gary (et al)
Price: $60.00
ISBN: 9780300234213
Record created on 03/28/18
Available November 2018
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Description: New Haven: Yale University Press, in association with the San Francisco Museum of Modern Art, 2018. 30cm., hardcover, 272pp., 230 color illus. Exhibition catalogue.

Summary: Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies—all subjects in which vast, expansive distances are distilled into luminous, meticulous, and mesmerizing small-scale artworks. For Celmins, this obsessive “redescribing” of the world is a way to understand human consciousness in relation to lived experience. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated volume explores the full range of Celmins’s work produced since the 1960s—drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her methods and techniques; survey her early years in Los Angeles, where she was part of a circle that included James Turrell and Ken Price; and trace the development of her work after she moved to New York City and befriended figures such as Robert Gober and Richard Serra.

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Item Number: 148548
Title: I giardini del duca : Luoghi di delizia dai Montefeltro ai Della Rovere
Author: Cerboni Baiardi, Anna (et al)
Price: $55.00
ISBN: 9788836639564
Record created on 03/30/18
Forthcoming
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Description: Milano: Silvana, 2018. 28cm., pbk., 200pp., 150 illus. Exhibition held at Palazzo Ducale, Urbino.

Summary: I duchi di Urbino hanno dimostrato un particolare interesse nei confronti del giardino, luogo fondamentale della vita e dell’estetica della corte, progettando in ogni loro residenza urbana e suburbana splendidi e differenti spazi all’aperto. Questo contributo consentirà di meglio comprendere lo sviluppo di un aspetto culturale che ha posto il ducato urbinate anche in questo campo all’altezza del confronto con le altre corti italiane del Rinascimento. Ci si renderà conto che lo sviluppo dell’idea di giardino è strettamente legata alle diverse personalità dei duchi ma anche delle duchesse che, come nel caso di Leonora Gonzaga o Lucrezia d’Este, hanno portato in questi luoghi l’esperienza di altri centri. Il volume intende accompagnare il lettore nella scoperta dei giardini ducali che non esistono più, come quelli perduti di alcune ville pesaresi o l’urbinate giardino di Santa Lucia, ma anche di rilanciare l’attenzione su realtà ancora fruibili come il giardino pensile del palazzo ducale di Urbino o i giardini dell’Imperiale e di villa Miralfiore a Pesaro. Per la prima volta vengono posti a confronto su questo tema alcuni tra i principali centri del ducato, dando vita a un percorso che prende avvio con i giardini di Urbino e di Gubbio, da dove tutto è cominciato, e prosegue con Fossombrone, Pesaro e Urbania; iniziando con Federico di Montefeltro (1422-1482) e concludendosi con l’ultimo duca, Francesco Maria II Della Rovere (1549-1631). Tutti i luoghi considerati hanno offerto il loro contributo alla storia del giardino formale all’italiana, dove la natura, organizzata secondo precisi schemi, restituisce il gusto delle diverse epoche.

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Item Number: 148242
Title: Aftermath: Art in the Wake of World War One
Author: Chambers, Emma
Price: $24.99
ISBN: 9781849765671
Record created on 03/02/18
Available October 2018
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Description: London: Tate Publishing, 2018. 25cm., pbk., 128pp., 100 color illus.

Summary: A remarkable study of responses to World War One in Britain, Germany, and France, this groundbreaking book is the first to examine the memorialization and the social and aesthetic impact of the Great War. It explores how memories of the conflict have been filtered through specific cultural forms and political agendas, ranging from memorial painting and sculpture to representations of the destruction of bodies and landscape, and new aesthetic developments in art that offered ways of critiquing and reimagining postwar society. From the presentation of wounded war veterans to critiques of postwar corruption and poverty, Aftermath seeks to broaden the examination of war and memory beyond the modernist canon to show how both traditional and avant-garde art formed part of this process.

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Item Number: 148658
Title: CLAGGETT : Newport’s Illustrious Clockmakers
Author: Fennimore, Donald L. ; Frank L. Hohmann III
Price: $65.00
ISBN: 9780300233797
Record created on 04/12/18
Available September 2018
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Description: New Haven: Yale University Pres, for Winterthur Museum, Garden & Library and the Newport Historical Society, 2018. 31cm., hardcover, 272pp., 321 illus. Exhibition to be held at the Newport Historical Society.

Summary: In the 18th century, Newport, Rhode Island, was home to some of the most skillful craftsmen in colonial North America. Among them were the clockmakers William Claggett (1694–1748), James Wady (d. 1759), and Thomas Claggett (1730–1797)—individuals whose surviving works became the best-known records of their lives. Although they flourished in an era widely considered as a golden age of prosperity in Newport, their stories remained elusive, with a few magnificent clocks the only testament to their place in pre-Revolutionary New England. Through a broad search of archival records and a hunt to locate and document not only the work of these artisans—featured here in stunning new photography—but also their interconnected lives, the authors offer a more accurate picture of these three men, their trade, and aspects of life in contemporary Newport. The resulting volume reveals their stories and extraordinary works: an important contribution to the history of masterful craftsmanship in Rhode Island.

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Item Number: 148396
Title: The Valois Tapestries of the Uffizi
Author: Cleland, Elizabeth (et al)
Price: $40.00
ISBN: 9780300237061
Record created on 03/19/18
Available December 2018
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Description: New Haven: Yale University Press, for the Cleveland Museum of Art, 2018. 29cm., hardcover, 96pp., 72 illus., most in color. Exhibition catalogue.

Summary: Featuring detailed scenes of court pageantry and life-size portraits of members of the French Valois dynasty woven in wool, silk, and precious metal-wrapped threads, the Valois Tapestries are one of the most extravagant sets of hangings produced in the 16th century. The precise circumstances surrounding the tapestries’ commission and their arrival at the Medici court in Florence, as well as the significance of the specific scenes depicted, however, have eluded scholars for years. Presenting new research into the political maneuvering of the Valois and Medici courts and providing extensive physical analysis gathered during a recent cleaning of the tapestries, this volume offers brand new insight into why these magnificent works were made and what they represent.

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Item Number: 148411
Title: COLA DELL'AMATRICE da Pinturicchio a Raffaello
Author: Papetti, Stefano ; Luca Pezzuto (eds)
Price: $52.50
ISBN: 9788836639502
Record created on 03/19/18
Available April 2018
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Description: Milano: Silvana, 2018. 28cm., pbk., 240pp., 80 color illus. Exhibition held at Piancoteca, Ascoli Piceno.

Summary: l volume intende rendere omaggio e restituire una visione completa ed esaustiva dell'arte di Nicolò Filotesio, meglio conosciuto come Cola dell'Amatrice, maestro dell'arte italiana del '500, che ad Ascoli ha lasciato un immenso patrimonio pittorico durante i suoi quarant'anni di permanenza. Attraverso i puntuali contributi critici e il ricco corredo iconografico, il volume ripercorre l'interno percorso artistico di Cola, che da Amatrice, città natale, si snoda in luoghi particolarmente emblematici, come l'Abbazia di Farfa lungo la Salaria, dove esegue le prime tavole, Roma, dove è presente nel 1513, e poi gli Appennini, l'Aquila, Perugia, Siena, Urbino. Le sue opere sono messe in dialogo con un corpus di capolavori - Raffaello, Pinturicchio, Perugino, Crivelli, Luca Signorelli, Pietro Vannini, Filippino Lippi - che testimoniano gli studi e le influenze sulle quali l'artista ha costruito il proprio universo creativo. Attraverso l'opera di Cola, il catalogo racconta la storia di una terra che fu un crocevia di scambi economici e culturali, e che, drammaticamente ferita dal sisma del 2016, ha dovuto affrontare questioni non secondarie legate al recupero e alla ricostruzione della memoria, e alla valorizzazione del suo grande patrimonio.

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Item Number: 147673
Title: COROT : peindre la figure humaine : The Painter and his Models
Author: Allard, Sebastien
Price: $47.50
ISBN: 9782754114493
Record created on 12/18/17
Description: Paris: Hazan, 2018. 29cm., pbk., 192pp. illus. Exhibition held at Musée Marmottan Monet, Paris. French-English text.

Summary: Known above all for his landscapes and paving the way for the Impressionists, Corot was also a painter of figures. However, he kept this part of his production in the secret of his studio – these works were scarcely diffused during his lifetime to a few friends, merchants or collectors. The exhibition displays around sixty of these figure-based works, focusing mainly on portraits he made of his family and rarely seen nudes, from the most prestigious public and private collections in Europe and the United States. with the intention of exploring this relatively unknown side of the artist’s oeuvre. There will be masterpieces such as the famous Femme à la Perle (Woman With a Pearl), the Louvre’s Dame en Bleu (Lady in Blue), and the National Gallery’s impressive Italienne (Italian Woman), which was once held in the collection of the painter Lucian Freud, along with other works that are just as splendid but rarely seen, such as his nudes.

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Item Number: 147785
Title: Simulation/Skin : Selected Works from the Murderme Collection
Author: Corry, Amie
Price: $40.00
ISBN: 9781906967857
Record created on 12/31/17
Description: London: Other Criteria, 2018. 30cm., hardcover, 80pp. illus. Exhibition catalogue.

Summary: This title accompanied the exhibition, Selected works from the Murderme collection, at Newport Street Gallery, which took place from 29th March–7th April 2017. It includes illustrations of thirty-one works selected by Damien Hirst by just twenty–eight artists from his collection. A number of Hirst’s contemporaries are represented, including Angus Fairhurst and Michael Landy, both of whom exhibited in the seminal student exhibition ‘Freeze’, which was organised by Hirst in 1988. Also featured are emerging artists, including Sadie Laska and John Copeland, as well as giants of twentieth-century art, such as Richard Hamilton. The work was selected for the first mixed show from Hirst’s collection to have taken place at Newport Street Gallery, which has been focusing on solo shows. Artists included are Johannes Albers, Frank Auerbach, Helen Beard, Don Brown, Gillian Carnegie, Patrick Caulfield, John Copeland, Michael Craig-Martin, Tracey Emin, Angus Fairhurst, Fabian Fobbe, Richard Hamilton, Marcus Harvey, Roger Hiorns, Damien Hirst, Rachel Howard, Jeff Koons, Michael Landy, Sadie Laska, Tanya Ling, Nicholas Lumb, Alessandro Magnasco (called Il Lissandrino), Rodrigo Moynihan, Julian Opie, Elizabeth Peyton, Boo Saville, Thomas Scheibitz and Rachel Whiteread.

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Item Number: 148319
Title: CRANACH natürlich : Hieronymus in der Wildnis
Author: Meighörner, Wolfgang (ed)
Price: $52.50
ISBN: 9783709934272
Record created on 03/15/18
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Description: Innsbruck: Haymon Verlag, 2018. 28cm., hardcover, ca. 352pp., most in color. Exhibition held at Tiroler Landesmuseum Ferdinandeum, Innsbruck.

Summary: Cranach d. Ä. (1472–1553), neben Dürer einer der bedeutendsten Maler seiner Zeit, hat sich wiederholt mit einem Thema beschäftigt: Hieronymus in der Wüste. Doch diese „Wüste“ ist ein erstaunlicher Ort. Cranach verwandelt sie in eine saftige Waldlandschaft, bevölkert von höchst realistischen Tieren und wunderlichen Fabelwesen. Ausgehend vom Meisterwerk „Hl. Hieronymus in der Einöde“, verortet die Ausstellung erstmals den Naturmaler Cranach im Spannungsfeld seiner Epoche. Naturwissenschaft und Symbolik gehen Hand in Hand und beziehen eine verblüffende Stellung zu Streitfragen des Reformationszeitalters. Im Begleitband zur Ausstellung befinden sich kultur- und kunstgeschichtliche Beiträge über Hieronymus als facettenreiche Leitfigur als auch theologische Artikel über den heiligen Hieronymus im 16. Jahrhundert. Der Band informiert über naturwissenschaftliche Identifikationen von Zoologie und Botanik in Cranachs Werken. Man kann über die symbolische Deutung der Vögel auf Cranachs Wiener Hieronymusbild lesen, sich über die Sprache der Natur in Cranachs Innsbrucker Hieronymusbild informieren und Antwort auf die Frage finden, wie sich die Einöde bei Cranach zu einem paradiesischen Wald entwickelt hat. Mit einem Vorwort des Herausgebers Wolfgang Meighörner sowie Beiträgen von Nils Büttner, Gábor Endrödi, Christian Hecht, Michael Hofbauer, Peter Morass, Dominic Olariu, Helena Pereña, Andreas Tacke, Michael Thalinger und Agnes Thum.

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Item Number: 148241
Title: All Too Human: Bacon, Freud, and a Century of Painting Life
Author: Crippa, Elena (ed)
Price: $37.50
ISBN: 9781849765831
Record created on 03/02/18
Available November 2018
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Description: London: Tate Publishing, 2018. 27cm., pbk., 224pp., 120 color illus. Exhibition catalogue.

Summary: All Too Human celebrates the painters in Britain who strove to represent human figures, their relationships, and their surroundings in the most intimate of ways—and features breathtaking works by Lucian Freud and Francis Bacon alongside rarely seen pieces by contemporaries such as Frank Auerbach and Paula Rego. Despite vast differences in approach and style, the works included all capture the sensuous, immediate, and intense experience of life through the medium of paint. Published to accompany a major exhibition at Tate Britain in London, All Too Human not only demonstrates how this spirit was passed down by artists of the previous generation, such as Walter Sickert and David Bomberg, but also explores how contemporary artists continue to express the complex intangible realities of life in paint today.

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Item Number: 148716
Title: Color and Light : The Neo-Impressionist HENRI-EDMOND CROSS
Author: Frank, Frederic (et al)
Price: $50.00
ISBN: 9783791357737
Record created on 04/18/18
Available October 2018
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Description: Munich-New York: Prestel, 2018. 30cm., hardcover, 248pp., 200 color illus. Exhibition to be held at Museum Barberini, Potsdam. English text.

Summary: Inspired by the work of Realist painters such as Gustave Courbet and Francois Bonvin, Henri-Edmond Cross’s earliest paintings were compositions in dark, somber colors. Following his involvement with the avant-gardist circle around Georges Seurat, he gradually adopted the Neo-Impressionist technique and began to develop a unique visual vocabulary. After his move to the Mediterranean coast in 1891, Cross’s palette became increasingly lighter, resulting in dazzlingly colorful landscapes, genre paintings, and compositions that are overlaid with mythological and allegorical allusions. This volume traces Cross’s artistic trajectory through all stages of his prolific career and situates his masterful approach to color and light within the broader context of the European avant-garde of his time. In addition, it examines the painter’s anarchist sympathies and the political dimensions of his depictions of utopian sceneries.

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Item Number: 148469
Title: Lost Treasures of Strawberry Hill: Masterpieces from Horace Walpole's Collection
Author: Davoli, Silvia
Price: $17.95
ISBN: 9781785511806
Record created on 03/22/18
Available November 2018
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Description: London: Scala, 2018. 28cm., pbk., 112pp. illus. Exhibition catalogue.

Summary: Strawberry Hill, a fantasy gothic revival castle, was conceived and built by the influential art historian and antiquarian Horace Walpole (1717-1797) with his art collection in mind. For a new exhibition opening in October 2018 many pieces from his collection, which was dispersed at auction in 1842, will be reunited for the first time and displayed in their original settings within the castle. This beautifully illustrated accompanying book will describe the complex relationship between the house and its works of art, and allow a deeper understanding of the context and processes of Walpole's collecting and its relationship to the house.

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Item Number: 148438
Title: NICOLAS DE STAEL in Provence
Author: de Staël, Gustave ; Marie du Bouchet (eds)
Price: $35.00
ISBN: 9780300238624
Record created on 03/20/18
Available August 2018
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Description: New Haven: Yale University Press, for Editions Hazan Paris, 2018. 28cm., pbk., 192pp., 145 illus., most in color. Exhibition held at Hötel de Caumont–Centre d’Art. Aix-en-Provence. English text.

Summary: Celebrated for his landscapes that occupy a place between the figurative and the abstract, Nicolas de Staël (1914–1955) was a Russian-born French artist whose works encompass paintings, collage, illustrations, and textiles. This book focuses on the paintings that de Staël produced, arguably his finest, during a single, momentous year very near the end of his life. The paintings were created in the south of France between the summer of 1953 and the autumn of 1954, and were inspired by a journey de Staël took in August of 1953. Together with a group of family and friends, de Staël traveled through Italy, revisiting Naples and Pompeii and culminating in Sicily; the constant transformation of brilliant color in the art, architecture, landscape, and light of Italy made a deep impression on de Staël. The resulting paintings, bold compositions of red, yellow, orange, and green, are saturated with color and free-floating expressiveness.

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Item Number: 148550
Title: Con dolce forza : Donne nell’universo musicale del Cinque e Seicento
Author: Donati, Laura ; Eike Schmidt (et al)
Price: $34.95
ISBN: 9788859618447
Record created on 03/30/18
Description: Firenze: Polistampa, 2018. 24cm., pbk., 160pp. illus., most in color. Exhibition held at Oratorio di Santa Caterina delle Ruote, Bagno a Ripoli.

Summary: “Con dolce forza imprimeva ne’ cuori qualunque affetto”: così Jacopo Cicognini descriveva nel 1619 l’esibizione di Arcangela Paladini nella cappella privata dell’arciduchessa Maria Maddalena d’Austria. Siamo nel periodo di transizione tra l’epoca nella quale per le donne la musica è una disciplina basilare dell’educazione, da frequentare esclusivamente in ambienti familiari o conventuali strettamente privati, a quella in cui diviene attività professionale con risvolti pubblici di grande prestigio, con figure come la compositrice Francesca Caccini o le cortigiane cantanti Checca e Margherita Costa. La mostra presenta, accanto a queste figure di donne musiciste, anche delle pittrici che per varie ragioni amavano raffigurarsi accanto a strumenti musicali, come Lavinia Fontana e Marietta Robusti, figlia del celebre Jacopo Tintoretto. Affronta inoltre il tema del mecenatismo musicale femminile, come fenomeno emblematicamente rappresentato alla corte dei Medici da personaggi come Cristina di Lorena e Vittoria della Rovere.

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Item Number: 148314
Title: The Essential DUCHAMP
Author: Affron, Matthew (et al)
Price: $30.00
ISBN: 9780300233117
Record created on 03/14/18
Available November 2018
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Description: New Haven: Yale University Press, in association with the Philadelphia Museum of Art, 2018. 25cm., pbk., 232pp., 180 color illus. Exhibition catalogue.

Summary: This richly illustrated publication explores the full career of the hugely influential and endlessly fascinating French-American artist Marcel Duchamp (1887–1968). A pioneer whose creative output was predicated on a fundamental questioning of what art is, Duchamp is well known despite remaining mysterious as an artist, owing to his elusive persona and the unconventional nature of his work. Focusing on the world-renowned Duchamp collection at the Philadelphia Museum of Art, The Essential Duchamp tells the artist’s story through four key periods. The book begins with his early paintings and engagement with the avant-garde, then charts his abandonment of painting and invention of the readymade. This is followed by the creation of his alter ego Rrose Sélavy and the optical experiments of the interwar years, and, finally, by the making of Étant donnés (1946–66), the project that occupied the artist in the final two decades of his life. Shorter accompanying texts include explanations of key terms Duchamp used for his innovative ideas—readymade, pictorial nominalism, precision optics, and infrathin—as well as interviews and statements by the artist about his own art and ideas.

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Item Number: 148514
Title: Traits Divins : Dessins du musée des Beaux-Arts d'Orléans
Author: Dury, Corentin
Price: $42.95
ISBN: 9789461614421
Record created on 03/27/18
Description: Heule: Snoeck, 2018. 28cm., pbk., 176pp., 100 illus. Exhibition held at Musée national de Port-Royal des Champs.

Summary: En introduction à cet ouvrage, Pierre Rosenberg et Louis- Antoine Prat le rappellent : le fonds d'arts graphiques du musée d'Orléans est l'un des plus importants de France et, pourtant, il ne bénéficie toujours pas d'une étude complète. Avec une sélection de cinquante-trois dessins, le musée national de Port-Royal des Champs invite, le temps d'une exposition, cette collection. Le catalogue, rédigé par des spécialistes du dessin français, permet un voyage de 1630 (Georges Lallemant, Claude Vignon, Laurent de La Hyre) à 1720 environ (Claude-Guy Hallé, Antoine Dieu) à travers un ensemble d'oeuvres dont la plupart n'ont jamais été présentées au public et dont certaines sont publiées pour la première fois ici.

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Item Number: 148428
Title: Animal-Shaped Vessels from the Ancient World : Feasting with Gods, Heroes, and Kings
Author: Ebbinghaus, Susanne (ed)
Price: $55.00
ISBN: 9780300237030
Record created on 03/20/18
Available November 2018
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Description: New Haven: Yale University Press, for the Harvard Art Museums, 2018. 27cm., hardcover, 400pp., 335 illus. Exhibition catalogue.

Summary: Vessels shaped as bulls, lions, birds, donkeys, and other animals were routinely used to pour and drink liquids at feasts throughout the ancient world. Bringing together animal-shaped vessels from the Mediterranean, the Near and Far East, and the Americas, this fascinating cross-cultural study is the first large-scale consideration of this phenomenon. Experts from around the world reveal how these entertaining, often extremely lifelike vessels functioned not only as feasting paraphernalia but also as ritual implements, symbols of social status, and objects of artistic exchange and experimentation. Taking up questions ranging from the mechanics of drinking from such unwieldy containers to considerations of what the preference for these shapes says about the nature of human-animal relationships, this book uses a comprehensive and multidisciplinary approach to offer a unique window onto the experiences of the individuals and communities who raised up these magnificent objects in pleasure and in praise.

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Item Number: 148404
Title: Armenia : Art, Religion, and Trade in the Middle Ages
Author: Evans, Helen C. (ed)
Price: $65.00
ISBN: 9781588396600
Record created on 03/19/18
Available October 2018
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Description: New York: The Metropolitan Museum of Art, 2018. 28cm., hardcover, 384pp., 400 color illus. Exhibition catalogue.

Summary: As the first people to officially convert to Christianity, Armenians commissioned and produced astonishing religious objects. This sumptuous volume depicts and contextualizes the compelling works of art that defined the rich and complicated culture of medieval Armenians, including carvings, liturgical furnishings, beautifully illustrated manuscripts, gilded reliquaries, exquisite textiles, printed books, and more. Situated at the center of trade routes that connected the East and West during the Middle Ages, Armenia became a leading international trade partner for Seljuk, Mongol, Ottoman, and Persian overlords, while also serving as a powerful ally to Byzantium and European Crusader states. Written by a team of international scholars, with contributions from Armenian religious leaders, this book will stand as the definitive text on the art and culture of medieval Armenia.

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Item Number: 148540
Title: Congo Masks : Masterpieces from Central Africa
Author: Felix, Marc Leo (ed)
Price: $45.00
ISBN: 9780300238754
Record created on 03/29/18
Available November 2018
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Description: New Haven: Yale University Press, for the Virginia Museum of Fine Arts, 2018. 29cm., hardcover, 408pp., 800 color, 130 b&w illus. Exhibition catalogue.

Summary: This splendid illustrated exploration of masks and masking ceremonies from the Democratic Republic of the Congo presents more than 130 outstanding wooden masks dating from the 18th to the 20th century. Visually stunning and spiritually charged, these objects connected wearers with their ancestors and were part of elaborate costumes used in ritual performances. Including some of the finest works of African art in private hands, this volume features masks from eleven distinct stylistic zones: Ukongo, Ukwango, Ukete, Ukuba, Urunda, Uruwa, Utanganyika, Umaniema, Uituri, Ubangi, and Umongo. Displaying an enormous diversity of materials, design, and craftsmanship, these masks reflect the wide range of natural resources available throughout the Congo region and illuminate the unique belief systems of local populations. Accessible and informative essays provide insight into these extraordinary objects and are enlivened by both new photography and archival images showing the ceremonial use of masks in early 20th-century Congo.

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Item Number: 148671
Title: Jews, An Italian Story: The First Thousand Years
Author: Foa, Anna ; Giancarlo Lacerenza ; Daniele Jalla
Price: $57.50
ISBN: 9788891817174
Record created on 04/13/18
Description: Milan: Electa, 2018. 24cm., pbk., 308pp. illus. Exhibition held at Museo Nazionale dell'Ebraismo Italiano e della Shoah, Ferrara. English text

Summary: Over two hundred objects - many precious and rare - including twenty manuscripts, seven incunabula and sixteenth century editions, eighteen medieval documents, largely from the Genizah of Cairo (a major medieval Jewish archive rediscovered in the Egyptian capital), forty-nine Roman and medieval epigraphs and one hundred and twenty-one items such as rings, seals, coins, oil-lamps and amulets that are little known or on display for the first time, on loan from museums around the world. Furthermore, an engaging exhibition offering the visitor a wealth of images, reconstructions and experiences. The exhibit "Jews, an Italian Story. The First Thousand Years" - in effect, the first permanent segment of MEIS - communicates, in an original manner, the uniqueness of Italian Jewish history, describing how the Jewish presence in Italy was formed and developed throughout the Peninsula from the Roman Age (second century BCE) to the Middle Ages (tenth century CE) and how the Jews of Italy built their own unique identity, even when compared to other places in the diaspora. Through five major scenarios, the exhibit identifies places of origin and areas of dispersion of the Jewish people, tracing the routes of the diaspora and their exile to the western Mediterranean after the destruction of the Temple. It documents their time in Rome and southern Italy, speaking of migration, slavery, integration and religious intolerance - both in relation to the pagan and Christian worlds. It follows the blossoming of the Dark Ages and then, in a political climate marked by Longobard, Byzantine and Muslim domination, traces the establishment of an Italian Jewish culture, even in the north. It continues on to the Crusades, the bloodshed, the forced conversions marking the Jewish communities of Germany, while those in Italy were still enjoying remarkable stability and relative coexistence with the surrounding environment, as witnessed by the Jew Benjamin of Tudela in his "Itinerary".

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Item Number: 148120
Title: JEAN FOUQUET : The Melun Diptych
Author: Kemperdick, Stephan (ed)
Price: $49.95
ISBN: 9783731906209
Record created on 02/15/18
Description: Petersberg: Imhof, 2018. 28cm., pbk., 200pp., 125 color illus. Exhibition held at Gemäldegalerie Staatliche Museen zu Berlin. English translation of 2017 edition.

Summary: Jean Fouquet's diptych from the collegiate church of Melun is one of the main works the painting of the 15th century and French art in general. The left wing with the donor portrait is since 1896 in Berlin, while the right wing, the Madonna performing wings of the Museum of Fine Arts belongs to Antwerp. Both halves were separated by 1773 and were the last time together in 1937. The Berlin exhibition unites them now again and shows more important works, including the original medallion with Fouquet's self-portrait from the Louvre, an outstanding portrait drawing of his hand as well as selected works by painters like Jan van Eyck and Peter Christ. In the accompanying catalog well-known international researchers highlight different aspects of the work, including his iconography and technique, the person of the founder, Fouquets artistic requirements and more.

Contents: Christine Seidel and Stephan Kemperdick, 1415-1483 - France in the Times of Jean Fouquet ; Stephan Kemperdick, Foulquet le peintre. The Panel Painter Jean Fouquet and the Melun Diptych ; Christine Seidel, (Manuscript-)Painting. The Art of Jean Fouquet in the Work of his Contemporaries ; Neville Rowley, Searching for Fouquet in Italy ; Eberhard König, Étienne Chevalier as a Client of Jean Fouquet ; Brigitte Kurmann-Schwarz, Regina angelorum et misericordiae - Iconography and Iconographic Models of the Madonna in Fouquet's Melun Diptych ; Thomas Kren, The Melun Virgin, Agnès Sorel, and the Court of Charles VII ; Peter Kurmann, Renaissance in the Forecourt of Heaven - Jean Fouquet as a Painter of Architecture ; Juliane von Fircks, "En grands, riches et divers habillemens" - Vestimentary splendor at the Court of Charles VII and the Envisioning of Luxury Textiles in the Work of Jean Fouquet ; Nanny Schrijvers, No Love at First Sight - Fouquet's Virgin and Child and the Royal Museum of Fine Arts in Antwerp ; Katrin Dyballa, Paris 1937 - Fouquet between Albert Speer and Guernica ; Sandra Stelzig, Results of the Technical Analysis of Jean Fouquet's Painting of Étienne Chevalier in Berlin ; Élisabeth Antoine-König and Béatrice Beillard, Reflections in a Golden Eye - Jean Fouquet's Enigmatic Self-Portrait ; Georg Josef Dietz and Dagmar Korbacher, Pioneer on Paper - Jean Fouquet's Portrait Drawing of Guillaume Jouvenel des Ursins in the Kupferstichkabinett in Berlin ; Peter Klein, Dendrochronological Examination of Jean Fouquet's Panel Paintings .

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Item Number: 148360
Title: Il genio di FRANCESCO FRANCIA : Un orafo pittore nella Bologna del Rinascimento
Author: Rossoni, Elena ; Mario Scalini
Price: $52.50
ISBN: 9788831796972
Record created on 03/16/18
Description: Venezia: Marsilio, 2018. 27cm., pbk., 160pp., 116 color illus. Exhibition held at Pinacoteca Nazionale di Bologna.

Summary: Il catalogo esce in occasione della mostra della Pinacoteca Nazionale di Bologna (24 marzo - 24 giugno 2018) dedicata a Francesco Francia (1447 circa - 1517), artista bolognese celebratissimo in vita e che persino Vasari ricorda come uno dei grandi della sua epoca. Il pittore e incisore, che fu ancor prima orafo, medagliere, zecchiere e probabilmente statuario, diede a Bologna una scuola, formò un'intera generazione di artisti e garantì, in uno dei momenti più fulgidi del mecenatismo locale, un'incredibile fioritura di capolavori. Partendo dal cospicuo nucleo di dipinti di mano di Francia della Pinacoteca Nazionale, rappresentativi della sua evoluzione stilistica tra la fine del Quattrocento e il primo decennio del Cinquecento, i curatori Elena Rossoni e Mario Scalini, insieme a Massimo Medica, Mark Gregory D'Apuzzo e a Daniele Benati, fanno luce sulla talentuosa produzione orafa e incisoria dell'artista, più trascurata dagli studi, il quale amava firmarsi "aurifex". Il pubblico potrà così conoscere e ammirare anche l'"altro'' Francia e i suoi oggetti che rivelano l'affermazione a Bologna di un'antica tradizione connotata da una sapiente manualità.

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Item Number: 148347
Title: The Beauty of Lines : The Gilman and Gonzalez-Falla Collection
Author: Franck, Tatyana ; Pauline Martin (eds)
Price: $55.00
ISBN: 9783858818003
Record created on 03/15/18
Available August 2018
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Description: Zurich: Scheidegger and Spiess, 2018. 27cm., hardcover, 200pp., 101 color illus. Exhibition catalogue.

Summary: Over the course of four decades, Sondra Gilman and Celso Gonzalez-Falla have put together a collection of photographs that is widely recognized as among the World's most important private ones. Spanning the entire history of the medium, it lacks hardly any of the names that forged his history. It comprises some of the most famous masterpieces by artists such as Eugène Atget, Robert Adams, Walker Evans, or Robert Mapplethorpe as well as works by contemporary photographers such as Cindy Sherman, Hiroshi Sugimoto, or Thomas Struth. The Musée de l'Elysée in Lausanne is one of the world's leading museums entirely dedicated to photography. A highlight in the museum's 2018 exhibition program is the show The beauty of the Lines, featuring some 120 works from the Gilman Gonzalez-Falla collection. The coinciding book presents the selected images in visual confrontations rather than just chronologically, offering a key to their physical quality and inviting the reader to question his or her own individual experience of sensitive relationship to the photographic image. Published alongside the images are an essay exploring the range and significance of the collection and a conversation with Sondra Gilman and Celso Gonzalez-Falla.

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Item Number: 148656
Title: Abstract Climates : HELEN FRANKENTHALER in Provincetown
Author: Motherwell, Lee ; Elizabeth A. T. Smith
Price: $25.00
ISBN: 9780300239959
Record created on 04/12/18
Available September 2018
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Description: New Haven: Yale University Press, for the Provincetown Art Association and Museum, 2018. 28cm., pbk., 96pp., 74 color illus. Exhibition catalogue.

Summary: An influential abstract expressionist and a pioneer in the Color Field movement, Helen Frankenthaler (1928–2011) spent several summers painting in Provincetown, Massachusetts. She first came in 1950 to the seaside town with a long history as an artist colony to study at Hans Hofmann’s studio school and would return for more than a decade while married to the artist Robert Motherwell. This finely illustrated publication explores the works from this formative time in Frankenthaler’s career, while also examining the artist’s innovative methods and process. Drawing inspiration from the natural scenery of Provincetown, Frankenthaler created paintings that reverberate with a suggestiveness of place that goes beyond the idea of landscape to capture the atmosphere and climate of the New England locale. This illuminating look into Frankenthaler’s development as an artist reveals how one particular location helped shape an abstract painter whose works never fit neatly within any category of subsequent abstraction.

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Item Number: 148372
Title: Labirinti del cuore : GIORGIONE e le stagioni del sentimento tra Venezia e Roma
Author: Dal Pozzolo, Enrico Maria
Price: $35.00
ISBN: 978856905878
Record created on 03/17/18
Description: Napoli: Arte'm, 2017. 30cm., pbk., 352pp., 210 color illus. Exhibition held at Palazzo Venezia and Castel Sant'Angelo, Roma.

Summary: Labirinti del cuore. Giorgione e le stagioni del sentimento tra Venezia e Roma è una mostra costruita intorno ad un capolavoro di Giorgione, i due amici, un doppio ritratto ormai da tempo considerato da gran parte della critica come uno dei capisaldi del maestro di Castelfranco, ma ancora poco noto rispetto alla sua straordinaria rilevanza, come punto di svolta epocale nella ritrattistica italiana del primo Cinquecento. Rispetto ai precedenti, non solo veneti, si contraddistingue infatti per un’inedita sintesi di elementi che ne fanno l’archetipo di una nuova idea del ritratto, che intende sottolineare lo stato d’animo e l’espressione dei sentimenti d’amore. L’opera appare strettamente legata ad un particolare clima culturale, quello della gioventù patrizia lagunare nel momento “edonistico” di massima espansione politica, alla vigilia del radicale ridimensionamento a cui sarà costretta la Serenissima. Il doppio ritratto di Giorgione è conservato nelle collezioni di Palazzo Venezia, ma è attestato a Roma fin dall’inizio del Seicento, a testimonianza dei fili storici che legano la figura di Giorgione a Roma, nel quadro di una rete, ben più ampia, dei rapporti intercorsi tra Venezia e la Città eterna, che ebbero il loro palcoscenico privilegiato proprio nel Palazzo di Venezia, come si dovrebbe più propriamente definire quella che era la prima dimora romana di un accertato collezionista, e con ogni probabilità anche committente, del pittore di Castelfranco: ossia il cardinale Domenico Grimani, con papa Paolo II Barbo uno dei personaggi chiave dei rapporti politici, diplomatici e culturali tra i due stati tra la fine del Quattrocento e i primi due decenni del Cinquecento. Ed è proprio nell’Appartamento Barbo che si sviluppa la prima sezione della mostra, dedicata a quelle vicende storiche e alla straordinaria novità de i due amici di Giorgione nelle vicende artistiche del primo ‘500. La mostra prosegue a Castel Sant’Angelo, negli Appartamenti papali, dove è allestita la seconda sezione, con altre opere provenienti da importanti musei del mondo, di grandi maestri del Cinquecento tra cui Tiziano, Tintoretto, Romanino, Moretto, Ludovico Carracci, Bronzino, Barocci e Bernardino Licinio. Opere che conducono il visitatore in quel labirinto esistenziale che ogni uomo porta in sé e che si riflette anche nell’esperienza amorosa, tra innamoramento e approdo matrimoniale, tra abbandono e nostalgia.

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Item Number: 148395
Title: Hairy Who? 1966–1969
Author: Goldstein, Ann ; Mark Pascale (eds)
Price: $50.00
ISBN: 9780300236903
Record created on 03/19/18
Available November 2018
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Description: New Haven: Yale University Press, for the Art Institute of Chicago, 2018. 28cm., hardcover, 256pp., 220 illus. Exhibition catalogue.

Summary: This generously illustrated catalogue explores the history and significance of the Hairy Who, a group of six Chicago artists who transformed imagery from popular culture into highly personal works of art in a variety of media. New scholarship based on documentary materials—including exhibition checklists, installation views, and artist-made ephemera—reconstructs the group’s six exhibitions, held between 1966 and 1969, and offers a reassessment of the Hairy Who’s idiosyncratic place within the cultural and political context of its time and place. Insightful essays examine the distinctive features of the Hairy Who’s art and collaboration, explain how the group’s work diverges from contemporaneous movements such as Pop and Funk, and provide biographical information on the artists themselves. Contributions from acclaimed contemporary artists Richard Hull and Laura Owens reflect on the Hairy Who’s sources and influence, exploring how the group remains relevant in today’s art world in significant and unexpected ways.

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Item Number: 148692
Title: In lapide depictum. Pintura italiana sobre piedra 1530-1555
Author: Gonzalez Mozo, Ana
Price: $35.00
ISBN: 9788484804819
Record created on 04/17/18
Available May 2018
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Description: Madrid: Museo Nacional del Prado, 2018. 24cm., pbk., 160pp. illus. Exhibition catalogue. Spanish text.

Summary: The exhibition brings together a selection of nine paintings on monochrome stone (slate and white marble) by Italian painters such as Sebastiano del Piombo, Titian, Daniele da Volterra and Leandro Bassano, which reflect the consolidation of a new approach to artistic techniques that emerged in the early decades of the 16th century. They are displayed alongside classical Roman works and specimens of natural stone that provide a context for the relationship between painting and natural history, geology and archaeology. A carefully selected group of works from the Museum’s collection, together with others from Naples, will reveal the new approach to artistic techniques that emerged in the early decades of the 16th century. These paintings also reflect aesthetic and philosophical concepts of the time: the reproduction of new pictorial effects involving the control of the fall of light on the painting’s surface; the perception of the natural world as codified in classical texts; the paragone with sculpture; and the desire to produce eternal creations. While there have been some previous exhibitions of a general nature on this subject, the Museo del Prado has set out to offer an in-depth focus. This has firstly involved a study of the theories that stimulated its emergence, and secondly, an exploration of the origins of the technique, its relationship with the classical world and the pictorial procedures that were perfected by Sebastiano del Piombo, Titian and Daniele da Volterra in order to achieve different chromatic effects while making use of unconventional supports and creating works that have survived to the present day. The nature of the support and the close relationship established by the present research project with the classical tradition of polychrome stone has encouraged a collaboration with other disciplines, including natural history, geography and archaeology. This has allowed for a focus on how these works were made and a greater knowledge of them, reflected in different aspects of the exhibition. Firstly, through the inclusion of works from these different fields: classical Roman pieces and specimens of unworked stone, which help to provide a context for the selected paintings. Secondly, through a series of very specific studies undertaken using procedures employed in these different disciplines, the results of which are presented in the exhibition’s accompanying publication. The two works by Titian and the painting by the studio of the Bassanos in the Prado’s collection have undergone lengthy and complex restoration in which, thanks to the sponsorship of Fundación Iberdrola España, a number of specialists in different areas of restoration (paint, frames and supports) have taken part with the aim that visitors can fully appreciate the uniqueness of these works, executed in oil on supports both special and rarely encountered in the history of art.

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Item Number: 148048
Title: Intacta María : política y religiosidad en la España barroca : Unblemished Mary : politics and religiosity in baroque Spain
Author: Gonzalez Tornel, Pablo (ed)
Price: $67.50
ISBN: 9788448262020
Record created on 02/04/18
Description: Valencia: Generalitat Valenciana, 2017. 30cm., pbk., 446pp. prof. illus. Exhibition held at Museo de bellas artes de València. Spanish-English text.

Contents: El poder de la imagen, José Ignacio Casar Pinazo ; Intacta María. Política y religiosidad en la España Barroca, Pablo González Tornel ; La Inmaculada Concepción- del misterio al dogma, Miguel Navarro Sorní ; Hacer visible lo indefinible- iconografías de la Inmaculada Concepción, Víctor Mínguez Cornelles ; La Inmaculada como pintura perfecta de Dios, Javier Portús Pérez ; "Quieren los españoles definir!" - La Inmaculada Concepción y la Monarquía de España durante el siglo XVII, Antonio Álvarez-Ossorio Alvariño ; La exaltación de la Inmaculada Concepción en Sevilla 1615-1622, José Antonio Ollero Pina ; El éxito social de la Inmaculada Concepción en España- textos, imágenes y fiestas, Pablo González Tornel ; Valencia y la Inmaculada Concepción en el siglo XVII, David Gimilio Sanz ; La Concepción Inmaculada de María en el contexto de la pietas hispanica, Cristina Bravo Lozano.

Catálogo de obras - Juan Sánchez Cotán, Inmaculada Concepción, Sergi Doménech García ; La iconografía de la concepción: representando lo invisible - Gonçal Peris y Pere Nicolau, Verónica de la Virgen. Matilde Miquel Juan - Maestro de Sigena, Abrazo en la Puerta Dorada. Matilde Miquel Juan - Anónimo, Santa Ana, la Virgen y el Niño. Matilde Miquel Juan - Giovanni Battista Castello, El Árbol de Jesé. Matilde Miquel Juan - Anónimo, Virgen y el Niño. Matilde Miquel Juan - Pedro Orrente, Aparición de la Virgen a san Juan evangelista en Patmos. Matilde Miquel Juan - Juan Sariñena, Virgen Tota Pulchra. José Gómez Frechina - Anónimo, Virgen Tota Pulchra. Victoria Bosch Moreno - Acisclo Antonio Palomino, Inmaculada Concepción. Sergi Doménech García - Pedro de Sierra, Virgen Inmaculada. Rosario Fernández González - Anónimo, Dios Padre pintando a la Inmaculada. Victoria Bosch Moreno. La inmaculada concepción y sevilla - Anónimo, Retrato de Pedro de Castro Cabeza de Vaca y Quiñones. Juan Chiva Beltrán - Diego Nicolás de Heredia Barnuevo, Místico ramillete. Vida de D. Pedro de Castro, fundador del Sacromonte. Juan Chiva Beltrán - Francisco de Herrera el Viejo, Inmaculada Concepción. Victoria Bosch Moreno - Francisco Pacheco, La Inmaculada Concepción con Miguel Cid. Ana Isabel Gamero González - Juan de Roelas, Alegoría de la Inmaculada Concepción.Victoria Bosch Moreno - Anónimo, Fiestas de consagración de la iglesia del Sagrario de la Catedral.Ana Isabel Gamero González - 19. Anónimo, Inmaculada Concepción. Miguel Ángel Marcos Villán - Anónimo, La Inmaculada con san Joaquín y santa Ana.Miguel Ángel Marcos Villán - Pedro Duque Cornejo, Inmaculada Concepción. Miguel Ángel Marcos Villán. La monarquía y la defensa del honor de maría - Juan de Roelas, Alegoría de la Inmaculada Concepción.Victoria Bosch Moreno - Anónimo, Felipe III. Cristina Igual Castelló - Pedro Valpuesta, Felipe IV jurando defender a la Inmaculada Concepción. Sergi Doménech García - Pedro Villafranca, Mariana de Austria entrega la corona a Carlos II. Sergi Doménech García - Francisco de Zurbarán, San Carmelo. Juan Chiva Beltráb - Francisco de Zurbarán, San Pedro Pascual. Juan Chiva Beltran - Francisco Bru, Defensa de la Inmaculada Concepción. Cristina Igual Castelló - A. Gasull y J. Vergara, Institución de la orden de Carlos III ante la Inmaculada. Cristina Igual Castello - A. Gasull y J. Vergara, Presentación del infante Carlos Clemente a la Inmaculada. Cristina Igual Castelló. La inmaculada concepción y valencia - Damián Forment, Virgen niña. Retablo del convento de la Puridad, Valencia. Matilde Miquel Juan - Evaristo Muñoz, San Pedro Pascual y la Inmaculada Concepción.José Gómez Frechina - Agustín Ridaura, Inmaculada Concepción. José Gómez Frechina - José Orient, Retrato de Luis Crespí de Borja, agente de Felipe IV en la causa de la Inmaculada Concepción. Inés Cabrera Sendra - Tomás de la Resurrección, Vida del venerable Ilmo. y Exmo. Sr. D. Luis Crespí de Borja. Inés Cabrera Sendra - Andrés Marzo, Dibujo para el frontispicio del libro de Juan Bautista Valda "Solemnes fiestas". Inés Cabrera Sendra - Juan Bautista de Valda, Solemnes fiestas, que celebro Valencia, a la Inmaculada Concepcion de la Virgen Maria. Inés Cabrera Sendra - Francisco de la Torre y Sebil, Luces de la Aurora, dias del Sol. Inés Cabrera Sendra - Jerónimo Jacinto de Espinosa, Concepción Niña. Victoria Bosch Moreno - Jerónimo Jacinto de Espinosa, La Inmaculada Concepción y los Jurados de la ciudad de Valencia. Victoria Bosch Moreno. La pietas hispanica y la concepción de maría - Mateo Gilarte, Adoración de la Eucaristía. Jesús F. Pascual Molina. Francisco Polanco, Santiago el Mayor. Jesús F. Pascual Molina - Pablo Scheppers, Virgen del Pilar. Sergi Doménech García - Anónimo, Virgen de los Desamparados. Sergi Doménech García - Francisco Ribalta, San Isidro Labrador. Jesús F. Pascual Molina - Ignacio de Ries, Fernando III el Santo. Jesús F. Pascual Molina - Anónimo, Santo Tomás de Villanueva y donante. José Gómez Frechina - Juan Sariñena, Venerable hermano Francisco del Niño Jesús.José Gómez Frechina - Francisco Ribalta, La Virgen mostrando a su Hijo al hermano Francisco del Niño Jesús. José Gómez Frechina - Juan Conchillos, Inmaculada Concepción. Sergi Doménech García - Francisco Solís, Virgen Inmaculada. Manuel Arias Martínez - José Vergara Gimeno, Altar Inmaculada Concepción y san Miguel arcángel. David Gimilio Sanz ; English texts.

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