Contents: The Battel Hall Retable - history, technique and conservation, Michaela Straub and Lucy Wrapson ; Nicholas Hilliard as a painter 'in greate', Sarah Bayliss ; Some preliminary observations on pigments, their costs and use in late sixteenth- and seventeenth-century middling painted interiors - a regional perspective from Suffolk, Andrea Kirkham ; John Donne's metaphysical portrait, Spike Bucklow ; Lead white - how variations in the crystalline ratios influence the optical and handling properties of oil paint, Camille Polkownik ; Reattributing a painting through technical study - Hagar and Ishmael in the Wilderness by Marcantonio Franceschini, Amiel Clarke and Christine Braybrook ; Uncovering a lost leviathan - new insights and discoveries during treatment of Hendrick van Anthonissen's View of Scheveningen Sands, Shan Kuang ; Exploring Gainsborough Dupont's role in Thomas Gainsborough's studio through the Portrait of Mrs. Audley, Kari Rayner ; The most 'azure blue' - the youth and old age of ultramarine, Sally Woodcock and Emma Jansson ; David Parr House - a technical study of the materials and techniques of the wall paintings, Emma Jansson and Camille Polkownik.

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