Summary: This book addresses the status and relevance of iconography and iconology in the post-Panofskian study of medieval art. These disciplines remain crucial for the continued praxis in the discipline. The essays within this collection demonstrate the continued usefulness of iconography and iconology as analytical strategies, and propose alternative approaches to investigating themeaning of medieval art.

Contents: The Study of Iconography and Iconology of Medieval Art - A Historiographic Survey by Lena Liepe ; Panopticon of Art History - Some Notes on Iconology, Interpretation, and Fears by Elina Räsänen ; Iconography and Anthropology - A Re-Evaluation of the Panofskian Model with an Anthropological Perspective by Soren Kaspersen ; Visual Metaphors, Reinforcing Attributes, and Panofsky's Primary Level of Interpretation by Jan von Bonsdorff ; The Image as Contact Medium - Mediation, Multimodality, and Haptics in Medieval Imagery by Hans Henrik Lohfert Jorgensen ; Understanding Islamic Features in Norwegian Romanesque Architecture by Kjartan Hauglid ; Looking at the Ladies - An Intervisual Approach to the Portraits of Jeanne de France, the Virgin, and St. Anne in the Lamoignon Hours (ca. 1415) by Ragnhild Bo ; Iconography and Visions - St. Birgitta's Revelation of the Nativity of Christ by Maria H. Oen. (Studies in Iconography: Themes and Variations ^Available October 2018^)

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