Contents: Vision and Colour in the Works of Giotto and His Contemporaries, Donal Cooper ; Robert Grosseteste's De iride and its Addendum in the Vatican Manuscript Barb. Lat. 165 - Transmission, Reception, Meaning, Cecilia Panti and Greti Dinkova-Bruun ; Seeing a Pink Elephant - Creating Meaning through Colour in the Medieval Bestiary, Elizabeth Morrison ; The Colours of Fortune, Deirdre Jackson ; Recipes and Reception - Late Mediaeval English Colour. Recipes and Amateur Illuminators, Mark Clarke ; Looking for Lichen, Fooled by Folium and Tricked by Tyrian - A Brief Tour and New Research on Purple in Manuscripts, Cheryl Porter, Maurizio Aceto, Elisa Calà, Angelo Agostino, Gaia Fenoglio, Ambra Idone and Monica Gulmini ; Reflecting a Heavenly Light - Gold and other Metals in Medieval and Renaissance Manuscript Illumination, Nancy Turner ; Gold or Brass, Silver or Tin - the Analysis of Metals in Medieval Book Illumination, Robert Fuchs, Cologne Institute for Conservation Sciences ; Pigmenta - Materials for Writing, Painting and Healing, Lea Olsan ; The Use of Copper Sulphates in Sixteenth-Century Flemish Illumination - Simon Bening as a Case Study, Giulia Bertolotti and Paola Ricciardi ; Between Tradition and Innovation - Giving Light to a Visionary Text in the Lorvão Beatus, Maria João Melo, Maria Adelaide Miranda, Rita Castro, João Lopes and Jorge Sarraguça ; Scientific Study of Cistercian Illuminated Manuscripts - Techniques, Aesthetics and Religion, Catarina Miguel, Angela Nuñez-Gáitan, Maria Luisa Carvalho and Cristina Barrocas-Diasa ; Mapping and identification of the pigments used in two illuminations from the Laudario of Sant'Agnese attributed to the Master of the Dominican Effigies, John K. Delaney, Kathryn Dooley, Damon Conover, Lisha Glinsman, Giorgio Trumpy and Michelle Facini ; The Benefits of Scanning Illuminated Manuscripts with MA-XRF and MA-rFTIR, Stijn Legrand, Paola Ricciardi and Koen Janssens ; The Psalter-Hours of Isabelle of France in the Nineteenth-Century, Stella Panayotova ; The Spanish Forger Exposed - an Interdisciplinary Study of Two of His Paintings, Christina Currie, Steven Saverwyns and Dominique Vanwijnsberghe. (Manuscripts in the Making, 2)

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