Summary: Considered a masterpiece by Roberto Longhi, something comparable to no less than the Sistine Chapel or the Studiolo of Isabella d’Este, the frescoes painted in the Camera di San Paolo in Parma by Antonio Allegri, called Correggio, illustrate the memory of a dream, between anagrams and rebuses. The series of symbolic figures express this significance, serving as an example for the nuns in the monastery. (Biblioteca dell' "Archivum Romanicum" Serie I: Storia, Letteratura, Paleografia, 415)

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