Contents: Introduction to Making Copies in European Art 1400-1600- Shifting Tastes, Modes of Transmission, and Changing Contexts, Peter M. Lukehart. 1. Jan van Eyck's Arnolfini Portrait and Copies after His Woman and Her Toilette- Recollections of the Alhambra's Constellation Halls, the Hamman, and Alchemy, Barbara von Barghahn. 2. Models and the Practice of Drawing in Eastern Spain, 1370-1450, E. Montero Tortajada. 3. Eyckian Icons and Copies, Larry Silver. 4. Copies after the Ghent Altarpiece for Spain- Four Case Studies, Leslie Blacksberg. 5. Following Bosch- The Impact of Hieronymus Bosch's Diableries and Their Reproduction in the 16th Century, Maddalena Bellavitis. 6. Tratta da Zorzi- Giulio Campagnola's Copies after other Artists and His Use of Models, Irene Brooke. 7. Virgin and Child with the Milk Soup after Gerard David- Series of Paintings on the Same Theme after Known Models, Catheline Périer-D'Ieteren. 8. Not Just Copies but Variations, Suggestions, Interpretations and Critical Reception- Joos van Cleve and the Lost Madonna of the Cherries by Leonardo da Vinci, Mari Pietrogiovanna. 9. Copies and Derivations of Giorgionesque Inventions- An Insight into the Visual and the Historical Sources, Sarah Ferrari. 10. Copies of Raphael's Mythological Paintings in the Collection of Cardinal Ludovisi, Claudia La Malfa. 11. From Workshop Master to the Artist's Individuality, Ana Calvo. 12. Jacopo Bassano and the Prints from Raphael's Masterpieces, Claudia Caramanna. 13. Que se haga al modo y manera de [….]- Copy and Interpretation in the Visual Arts in Aragón during the 16th Century, Carmen Morte García. 14. Early Netherlandish Devotional Images, Their Copies and Their Metamorphosis in Aragonese Culture through Peripheral Areas, Caterina Virdis Limentani. 15. Marketing Workshop Versions in the 17th-century Dutch Art Market, Angela Ho. 16. Pictorial Copies in Granada during the Early Modern Age, David García Cueto. (Brill's Studies on Art, Art History, and Intellectual History, 286/30)

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