Contents: Emotion, Time and Music at Cambrai Cathedral, Matthew Champion ; 'Affecting glory from vices' - Negotiating Shame in Prostitution Texts, 1660-1750, Emily Cock ; Pageant, Spectacle, Dread and Love in Piers Plowman, Brueghel's Triumph of Death and the Good Samaritan Window of Bourges Cathedral, Anne M. Scott ; Affected Bodies and Bodily Affect - Visualizing Emotion in Renaissance Plague Images, Louise Marshall ; The 'Slime of Vice' and the 'Passions of the Mind' - Emotional Histories in the Anglo-Norman World, Lindsay Diggelmann ; Courting Nassau Affections - Performing Love in Orange-Nassau Marriage Negotiations, Susan Broomhall, Jacqueline van Gent ; '[D]id ringe at oure parish churche... for joye that the Queene of Skotts ... was beheaded' - Public Performances of Early Modern English Emotions, Dolly MacKinnon ; Emotion, Place and Memory at the Royal Abbey of St Denis, Megan Cassidy-Welch ; Boosting the Emotional Power of New Liturgy - The Hidden Sides of Things in Giotto's Crib at Greccio, Richard Read ; Discursive Affect and Emotional Prescriptiveness - On the 'Man of Sorrows' in Fourteenth-Century Italian Painting, Lachlan Turnbull ; Martin Luther's Heart, Susan C. Karant-Nunn ; 'Laughing at Death' - Emotional Excess in The Duchess of Malfi in Performance, Steve Chinna. (Early European Research, 11)

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