Contents: The "Accademia dei Scultori" in Late Sixteenth- and Seventeenth-Century Rome, Peter M. Lukehart ; Francesco Mochi: Stone and Scale, Michael Cole ; Impossible Apostles: Francesco Mochi's Saint Peter and Saint Paul for S. Paolo fuori le mura, Estelle Lingo ; The Poetry of Atomism: Duquesnoy, Poussin, and the Song of Silenus, Anthony Colantuono ; Orfeo Boselli's Osservationi della scoltura antica: A Seventeenth-Century Treatise on Sculpture, Its Purpose, and Its Descent into Obscurity, Maria Cristina Fortunati ; The Sculptural Altarpiece and Its Vicissitudes in the Roman Church Interior: Renaissance Through Baroque, Damian Dombrowski ; "For we are made a spectacle unto the world, and to angels, and to men": Alessandro Algardi's Beheading of Saint Paul and the Theatricality of Martyrdom, Maarten Delbeke ; "Appearing to be what they are not": Bernini's Reliefs in Theory and Practice, Steven F. Ostrow ; The Poisoned Present: A New Reading of Gianlorenzo Bernini's Rape of Proserpina, Christina Strunck ; "Humoring" the Antique: Michel Anguier and the Physiological Interpretation of Ancient Greek Sculpture, Julia K. Dabbs ; On Causes and Effects: Imitating Nature in Seventeenth-Century Sculpture Between Rome and Paris, Aline Magnien.

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