Summary: Surprisingly, until recently, the Flemish painter Jacob Jordaens was still overshadowed by Peter Paul Rubens in the scientific debate. This fact is owed to the 19th century of the genius and discourses on painter princes. However, Jordaens was the head of a significant workshop and had a major influence on the Antwerp art market for 40 years after Rubens’ death. This extensive collection of essays combines for the first time in balanced proportion the research of renowned experts on Jacob Jordaens from the field of art history with that of painting restoration. The interdisciplinary approach allows a closer look at the workshop’s practice and the artist’s creative processes. This results in a new image of the artist, who stands out for his undreamed-of innovative strength as well as his pictorial and intellectual independence.

Contents: Rubens' Neid und Judas' Verrat - Jacob Jordaens' Vita in der Teutschen Academie, Esther Meier || Jordaens and North Italian Art - Taking Sandrart Seriously, Irene Schaudies || Eine Pathosformel für Mailand - Jacob Jordaens' Karl Borromäus bittet für die Pestkranken der Antwerpener Sint-Jacobskerk, Birgit Ulrike Münch || The Penitent Magdalene from the former Joseph Robinson Collection - Young Van Dyck Working up Rubens's Conception, Toshiharu Nakamura || Jordaens's Reading, Nils Büttner || The Allegory of Fruitfulness at the Wallace Collection and its Conservation Treatment, Lucy Davis / Anna Sandén || The Antwerp Maagdenhuis Washing and Anointing of the Body of Christ. Jordaens's complex Modifications of his own Work. Genesis and Conservation, Louise Decq (et al) || Construction of Canvas Supports for Jordaens's Paintings suggested by Thread Count Analysis, Don H. Johnson || Meisterhaft in der Veränderung - Jordaens in der Gemäldegalerie Alte Meister in Kassel, Anne Harmssen || Kunsttechnologische Auswertung von Röntgenbildern - elf Gemälde von Jacques Jordaens und seiner Werkstatt aus der Sammlung der Museumslandschaft Hessen Kassel, Ivo Mohrmann / Monika Kammer || Leinwand und Grundierung im Röntgenbild - eine kunsttechnologische Untersuchung von vier Gemälden Jordaens' und seiner Werkstatt aus der Kasseler Gemäldegalerie Alte Meister, Thomas Krämer || Die pluripotente Zeichnung - Anstückungen in der Kompositionspraxis von Jacques Jordaens, Sebastian Dohe || The genesis of Jordaens's Paintings in the Oranjezaal in Huis ten Bosch Palace, Margriet van Eikema Hommes / Lidwien Speleers || Two Versions of The Satyr and Peasant in Kassel. New Insights into Jordaens's Workshop Practice and new Questions, Justus Lange || Das Kasseler Bohnenfest - Ursprung und Vermittlung einer Bildidee, Timo Trümper || Das Kasseler Bohnenfest - Neueste Erkenntnisse zur Werkgenese und Restaurierungsgeschichte, Christiane Ehrenforth || Formatveränderungen an Holztafelbildern von Rubens - Beobachtungen an den Beständen der Berliner Gemäldegalerie, Babette Hartwieg || Grossformatige zeitgenössische Malerei, Kathrin Kinseher .

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