Item Number: 146243 Title: Perspectives on contemporary printmaking : Critical writing since 1986 Author: Pelzer-Montada, Ruth (ed) Price: Not Available ISBN: 9781526125750 Description: Manchester: Manchester University Press, 2018. 24cm., pbk., 352pp. illus. Contents: Beat Wyss Fragments for an art history of media. Electr(on)ic thinking (1997) ; Ernst Rebel The technical gaze: the parallel world of photography (2003) ; Frances Robertson Post-print culture? (2013) ; Ruth Weisberg The syntax of the print. In search of an aesthetic context (1986) ; Richard S Field Sentences on printed art (1994) ; Katherine Reeves The re-vision of printmaking (1999) ; Andrzrej Bednarczyk The shape of graphic art (2010) ; José Roca The graphic unconscious or the how and why of a print triennial (2011) ; Richard Harding Print as other: the future is queer (2013) ; Barbara Balfour The what and the why of print (2016) ; Daniel Herrmann Edinburgh Printmakers and the notion of the workshop (2007) ; Jeremy Lewison Projects and portfolios: narrative and structure (1995) ; Gill Saunders Lasting impressions? A museum perspective on digital fine art printmaking (2009) ; Sheryl Conkelton Print and the public sphere (2011) ; Johanna Drucker The work event: art in the distributed field and systems of production (2013) ; Eric Triantafillou All the instruments agree (2010) ; Mari Carmen Ramirez Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) ; Shang Hui Chinese printmaking in the twenty-first century (2011) ; Matthew Perkins What is 'studio' in the post-disciplinary age? (2011) ; Amanda Thomson Making a place: art and a multi-modal, multi-disciplinary approach (2014) ; R L Tillman Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) ; Ernst Rebel Coordinates of a history of the technical image (2003) ; Susan Lambert The status of the reproduction (1988) ; Claire Humphries Benjamin's blindspot: aura and reproduction in the post-print age (2015) ; K E Gover Are all multiples the same? The problematic nature of the limited edition (2015) ; Judith B Hecker One thing after another: serial print projects (2000) ; Georges Didi-Huberman Opening up an anachronistic point of view (1997) ; Frieder Nake Printing plates and pixel matrix. The mechanisation of memory (2010) ; Brollo, Deirdre Untying the knot: memory and forgetting in contemporary print work (2013) ; Yara Flores Spirit duplication (2010) ; Catherine Brooks Three ways to use yellow (2014) ; A Emmons, R L Tillman, J Urban, On the manual (In the manual) (2014) ; Nicky Coutts Animal print suicide (2014).
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