Contents: Feeling Baroque in Art and Neuroscience - Joy, Sadness, Pride, and a Spinozist Solution to the Quest for Happiness, by Monika Kaup ; The Baroque Sublime - The Affective Power of Landscape, by Helen Langdon ; "Their Jarring Spheres Confound" - John Milton's Paradise Lost as a Counter-Baroque War Machine, by Justin Clemens ; "To Make Them Gaze in Wonder" - Emotional Responses to Stage Scenery in Seventeenth-Century Opera, by Katrina Grant ; The Role of Emotions in the Characters of Pedro Calderón de la Barca's Autos, by Javier de la Rosa, Adriana Soto-Corominas, and Juan Luis Suárez ; Clouds and Calculated Emotions in the Production of Neo-Baroque Spatial Illusions in Las Vegas Hotels and Casinos, by Peter Krieger ; Mirrors of Reason, Illusion, and Infinity - The Case of the Villa Patrizi, by David Marshall ; Infinite Bodies - The Baroque, the Counter-Reformation Relic and the Body of James II, by Matthew Martin ; Chican@ Saints - The Persistence of Religious Bodies in Mexican America, by Kat Austin ; The Ecstasy (?) of Saint Teresa, by John Weretka ; Faith and Fetish - Objects and the Body in Catholic Devotional Practice, by Lisa Beaven ; Hannibal - Baroque Horror Vacui and the Theatre of Senses, by Angela Ndalianis. (Studies in Medieval and Early Modern Culture)

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