Contents: The Danish revolution - new practices among Danish landscape painters 1814-1850, Kasper Monrad ; The Reform Club, London - the grand British-Italian palazzo of the industrial age, Fernando Caceres Jara ; Corot's The Four Times of Day - a decorative scheme for Decamps's Fontainebleau studio, Sarah Herring (et al) ; The art historical and technical examination of Sir John Soane's 'Experimental Room' at No. 12 Lincoln's Inn Fields, Helen Hughes ; Canvas supports and grounds in paintings by C.W. Eckersberg, Troels Filtenborg and Cecil Krarup Andersen ; From Courbet to Daubigny - the mystery behind Sluice Gate at Optevoz, Eva Ortner ; A technical study of 19th-century papers used by Danish artists, Anna-Grethe Rischel ; Principal version or replica? Examining Martinus Rørbye's practice when copying others or his own paintings, Jorgen Wadum (et al) ; Thomas Fearnley en route - a 19th-century artist's choice of drawing and fixing materials, Birgit Reissland (et al ; Fit for purpose - 30 years of the Constable Research Project , Sarah Cove ; Turner's Regulus - a tale of violence, abuse and accident, illuminated by technical study, Joyce H. Townsend (et al ; Romantic icons - a technical study of the underdrawing for Caspar David Friedrich's Monk by the Sea and Abbey in the Oakwood, Kristina Mösl and Francesca Schneider ; In search of the ultimate painting technique - Munich in the 1820s-1840s, Renate Poggendorf.

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