Contents: Historical context for the development of altarpiece types - Some notes ; Botticelli's Lamentation over the Dead Christ from the Poldi Pezzoli Museum in Milan - Notes on a minimal intervention and non-invasive imaging analysis ; The structure, condition, and treatment of the panel of Rosso Fiorentino's Pala Dei ; Painting in Pisa in the Duecento - Observations on artistic technique ; The "carved-out" panel of the Dossal of Saint Zenobius - A starting point for evaluating a structural category of panel painting ; Gentile da Fabriano's Polyptych of the Intercession - A panel outside the canon ; Gentile da Fabriano's Polyptych of the Intercession - The conservation treatment of the panel ; Niccolò Liberatore called L'Alunno - Painting methods of an artist who adopted the technical innovations of his time ; Some reflections on treatments of wood panels from the flood ; The early treatments after the flood and the challenges of the panels ; The wood support of the Rosano Crucifix - Technique and comparative examples ; The wood support of the Rosano Crucifix - Conservation and restoration ; Raphael's Madonna with a Goldfinch - The construction, deterioration and conservation treatment of the wood panel ; ; Technical innovation in the construction of Fra Angelico's San Marco Altarpiece ; Andrea Mantegna's San Zeno Altarpiece - Technique, condition, and treatment of the wood support ; Giotto's Crucifix of Ognissanti - Construction technique, condition, and treatment of the wood panel ; The Linaioli Tabernacle - The wood support ; The Triptych of the Badia a Rofeno by Ambrogio Lorenzetti - The construction technique and conservation of the wooden support and the sixteenth-century frame ; Panel paintings - Some updates ; Techniques of construction of wooden supports for painting. (Dal restauro agli studi, 3)

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