Contents: Introduction: The Medieval Edifice in the Modern Period, S. Glaser ; The Moorish-Gothic Cathedral: Invention, Reality, or Weapon?, M. Mateo ; Acting Medieval, Thinking Modern, Feeling German, M. Lewis ; L'Histoire d'une cathédrale: Viollet-le-Duc's Nationalist Pedagogy, E. Emery ; The Gothic Cathedral and Historiographies of Space, K. Murphy ; The Anarchist Cathedral, M. Curie ; L'Imaginaire de la cathédrale à l'épreuve de la Grande Guerre, J. Prungnaud ; Church, Nation, and 'The Stones of France', R. Bernier ; Patterns of Behaviour Architectural Representation in the Romantic Period, K. Niehr ; Frozen Music and Symphonies in Stone. Gothic Architecture and the Musical Analogy: Intersecting Trajectories in German and French Thought from the Eighteenth through the Nineteenth Centuries, S. Glaser ; Délires opiomanes et gothicomanes de Thomas De Quincey à Wilfred Sätty, J-M. Leniaud ; The Cathedral as Time Machine: Art, Architecture, and Religion, R. Utz. (Ritus et Artes, 9)

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