Contents: Introduction-public painting for common people in early republican Florence, 1282–1434. 1. Paintings in the streets: tabernacles, public devotion, and control. 2. Images of charity: confraternities, hospitals, and pictures for the destitute. 3. Art and the commune: politics, propaganda, and the bureaucratic state. 4. Pictures for merchants: the guilds, their paintings, and the struggle for power. 5. Public painting in sacred spaces: piers and pilasters in Florentine churches. 6. Murals for the masses: paintings on nave walls. 7. Masaccio's Trinity and the triumph of public painting for common people in early republican Florence.

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