Contents: Imaging History - Imagining History: Remarks on Secular Illumination of the Fifteenth Century in the Burgundian Netherlands and its Patronage, Till-Holger Borchert ; Jean Le Tavernier: A Reassessment of his Biography and his Work in the Light of an Unpublished Book of Hours.Dominique Vanwijnsberghe and Erik Verroken ; The Interplay of Devotion and Invention in a Mass of St. Gregory by the Master of the Houghton Miniatures, Jeffrey F. Hamburger ; Stories without Words: The Vocabulary of Loyset Liédet, Catherine Reynolds ; The Painters of Philip the Good's Alexander, Gregory T. Clark ; Jean-Louis of Savoy's Estoire del Saint Graal (1480-1482) and Its Iconographic Choices, Alison Stones ; Illustrating is Re-Reading. Jean Miélot as Pictorial Narrator and the Vie de Saint Josse for Philip the Good, Dominic E. Delarue ; Dissolving Boundaries: The Thresholds of Netherlandish Triptychs and Manuscript Illuminations, Lynn F. Jacobs ; 'Benois seront les misericordieux' (kbr 9296) Compared with Panel Paintings by the Master of the View of Saint Gudule and the Master of the Legend of Saint Barbara, Griet Steyaert ; Codicological Puzzles and Artistic Interchange in Flanders: The Example of La Flora, Elizabeth Morrison ; Re-Thinking Margins and Miniatures: Collaborative Practices in Flemish Manuscript Painting around 1500, Anne Margreet As-Vijvers ; Portraits as Leitmotif in the Burgundian-Habsburg Music Manuscripts, Mara Hofmann ; Techniques picturales des grisailles dans les manuscrits enluminés des Pays-Bas méridionaux, Anne Dubois ; Black as Ink. Materials and Techniques in Fifteenth-Century Flemish Grisaille Illuminations by Jan de Tavernier, Willem Vrelant and Dreux Jehan, Lieve Watteeuw and Marina Van Bos ; Of 'Flesh color well made': Materials and Techniques for Painting Flesh Tones in Fifteenth-Century Flemish Manuscript Illumination, Nancy Turner with Catherine Schmidt Patterson. (Corpus of Illuminated Manuscripts, 22. Low Countries Series, 16)

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