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Item Number: 115039
Title: Entering the Picture: JUDY CHICAGO, The Fresno Feminist Art Program, and the Collective Visions of Women Artists
Author: Fields, Jill (ed)
Price: Not Available
ISBN: 9780415887687
Description: London-New York: Routledge, 2011. 24cm., hardcover, 345pp. illus., 16 color plates. Contents: 1. Gail Levin, Feminist Class, edited by Melissa Morris 2. Laura Meyer and Faith Wilding, Collaboration and Conflict in the Fresno Feminist Art Program: An Experiment in Feminist Pedagogy 3. Nancy Youdelman and Karen LeCocq, Reflections on the First Feminist Art Program 4. Moira Roth, Interview with Suzanne Lacy, edited by Laura Meyer 5. Paula Harper,The First Feminist Art Program: A View from the 1980s 6. Judy Chicago, Feminist Art Education: Made in California 7. Valerie Smith, Abundant Evidence: Black Women Artists of the 1960s and 1970s 8. Jennie Klein, 'Teaching to Transgress:' Rita Yokoi and the Fresno Feminist Art Program 9. Lillian Faderman, Joyce Aiken: Thirty Years of Feminist Art and Pedagogy in Fresno 10. Phranc, "Your Vagina Smells Fine Now Naturally" 11. Terezita Romo, Collective History: Las Mujeres Muralistas 12. Joanna Gardner-Huggett, The Woman's Art Cooperative Space as a Site for Social Change: Artemisia Gallery, Chicago (1973-1979) 13. Gloria Orenstein, Salon Women of the Second Wave: Honoring the Great Matrilineage of Creators of Culture 14. Katie Cercone, The New York Feminist Art Institute, 1979-1990 15. Nancy Azara and Darla Bjork, Our Journey to the New York Feminist Art Institute Section III: Picturing: Transformation 16. Sylvia Savala, How I Became a Chicana Feminist Artist 17. Lydia Nakashima Degarrod, Searching for Catalyst and Empowerment: The Asian American Women Artists Association, 1989-Present 18. Miriam Schaer, Notes of a Dubious Daughter: My Unfinished Journey Towards Feminism 19. Tressa Berman and Nancy Mithlo, 'The Way Things Are:' Curating Place as Feminist Practice in American Indian Women's Art" 20. Ying-Ying Chien, Marginal Discourse and Pacific Rim Women's Art 21. Jo Anna Isaak, Gaia Cianfanelli and Caterina Iaquinta, Curatorial Practice as Collaboration in the U.S. and Italy 22. Beverly Naidus, Feminist Activist Art Pedagogy. (New Directions in American History)
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